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#TranscribeTuesday at the Horniman

Today marks the start of #TranscribeTuesday in our archive, as we invite the public to become Horniman historians and deceipher the handwritten notes of curators and collectors past.

Normally hidden in our archive stores, 'Scrapbooks G & H' provide a fascinating record of the Horniman's early purchases, including some of the most iconic objects from the collection.

These records are over 100 years old, and show objects signed over to the Horniman's first curator, Richard Quick, and even to the museum's founder Frederick Horniman himself.

Many contain their own notes about their purchases, often including quick sketches, presumably to remind themselves of which object was which before the days of quick and easy photography.

Now, each page of these fascinating folios has been carefully digitised, but there is still some information missing from our collections database.

Inspired by St Fagans National History Museum in Wales, we're uploading these documents to the photo-sharing website Flickr, and inviting the public to transcribe the handwritten notes in the comments. We're hoping this information can then be added to our database to help researchers in the future.

To get involved and add your transcriptions (there might be more than one interpretation of some particularly spidery scrawls), head on over to our #TranscribeTuesday Flickr set and sign in to get started. If you don't already have a Flickr account, creating one is free and easy.

We've started the project by uploading receipts from the first page of Scrapbook G.

Transcription can be a tricky task: while the text of some receipts seems easy to read, the handwriting of some sellers seems deliberately designed to stump.

You don't need to transcribe a whole document at once (although we are looking for a transcription for every piece of text on each receipt). If a letter of word is completely unreadable, typing [?] or [000] in your description is a good way to show it.

If you fancy doing a little work to hone your transcription skills first, why not check out The National Archives interactive tutorial? You can try your hand at some really tricky passages and check how accurate your reading was at the end.

Alternatively, if you don't fancy your deceiphering skills, just taking a look at some of the receipts now on display online allows a fascinating glimpse into museum purchases of the past.

We'll be sharing further pages from the scrapbook on Twitter every Tuesday, as well as tweeting some transcription tips, so be sure to look out for the #TranscribeTuesday hashtag. Other organisations are also making use of the tag, so take a look and see where else you can get involved.

Richard Quick from the Horniman to Russell-Cotes

Collections Access Officer Sarah has been renewing the Horniman's connection to Bournemouth's Russell-Cotes Art Gallery and Museum through our Object in Focus loans scheme.

In light of a recent loan to the Russell-Cotes Art Gallery and Museum, I can’t help but look through our archive for pictures of our friend Richard Quick.

I work on an Arts Council England funded project called Object in Focus whereby we proactively encourage museums to borrow objects from our stores. One of these objects is a beautiful ceramic shogi (chess) set from Japan.

This object has been part of the Object in Focus project since 2012 and has so far toured to Maidstone Museum, Hastings Museum, Powell-Cotton Museum and Chiddingstone Castle, and lastly to Bournemouth at the Russell-Cotes Art Gallery and Museum.

The Horniman Museum is comparable to the Russell-Cotes Museum not only due to our similar collections, but also because of Richard Quick. Quick was resident curator of the Horniman Museum and Gardens from 1891 to 1901. His move to the Horniman coincided with the museum being open to the public, and he oversaw a change in museum practice: the retention of letters and receipts relating to purchases, production of annual reports, and rearrangement and relabelling of numerous displays.

During Quick’s tenure, he also acted as an agent for John Frederick Horniman and between 1897-1899, listed his entire collection in two bound registers including a ‘Geo-Global Survey’ of the ethnographic collection that listed a total of 7,920 objects.  

After leaving the Horniman Museum he worked at Bristol Art Gallery and Museum until 1921, then moved to the Russell-Cotes where he worked until he retired in 1932. It is understood that Quick was handpicked by Sir Merton and Lady Annie Russell-Cotes due to his extensive Japanese knowledge.

Quick was married but his wife died not long after he started working at Russell-Cotes. His daughter, who was a nurse, also lived in the museum. When a visitor died of a heart attack in Gallery One, she tried to save him before the doctor arrived.

Quick gave many lectures both at the Horniman and Russell-Cotes Museums. He was a curator for 43 years and an original member of the Japan Society in London.  

Bookblitz

We've posted a lot about the Bioblitz project, but while the Natural History team have been busy sorting through thousands of specimens, our librarian Helen has been tackling her own review of the Horniman Library's historic books.

The Horniman Museum and Gardens has always had a library, which used to be in the room now taken up by the Hands On Base before it got its own dedicated building.

Librarians have continued to add to the library right up to the present day, focusing on books which have strong connections to the collections - Natural History, Anthropology and Musical Instruments - and to the Horniman itself.

Now, the Horniman Library is regularly used by staff for research purposes, and is open to the public by appointment on Thursdays and Fridays (email enquiry@horniman.ac.uk to arrange a visit). You can also browse the library catalogue online.

The library's oldest volumes were donated when the museum was founded, including many by the Horniman family. Some volumes are centuries old, while others tell stories from the 19th and early 20th centuries. It is this historic collection which has been the focus of Helen's 'Bookblitz' for the last year.

The reasons behind carrying out this review are similar to those behind Bioblitz and Collections People Stories. By examining each volume on the shelves closely, Helen is able to establish exactly what we have, and whether anything is particularly special or needs extra attention, either from researchers or our Conservation team.

One of the most important tasks is checking that the numbers assigned to each book in the original accession registers and modern catalogue, and those attached to the books themselves all match. Just like in the object collections, these unique numbers allow us to track the book's history and everything we have learnt about it.

With the other collections reviews running alongside, the Bookblitz has offered a fantastic opportunity to make new links with other Horniman collections. We even have some books which tell the story of how our own museum objects were collected.

Just like Bioblitz and Collections People Stories, people with specialist knowledge have thrown new light on some of the library's collection. Judith MaGee, Special Collections Curator at the Natural History Museum, joined Helen to look over the fantastic Natural History volumes.

We'll be blogging about a few of the discoveries Helen has made when making her way through the library's catalogues, so stay tuned to see more fascinating historical books.

Bookblitz blog posts:

Crocodile Hunting in Central America

Japanese Fairy Tales

Man: His Structure and Physiology

Another Frederick Hornemann

The Oldest Book in the Collection: De Materia Medica

Archive Photos of Horniman Gardens

Our gardens have been open to the public for 117 years today - they were first opened on 1 June 1895. This week, following a major development, they are re-opening.

Our new display gardens explore the links between the plants in our gardens and the collections in our museum, which was our founder Frederick Horniman's vision. He wanted the Museum and Gardens to be a place for “recreation, instruction and enjoyment”.

We hope you enjoy these archive photographs of the Museum and Gardens from the late 19th and early 20th century, and will spend some time enjoying our gardens over the coming summer.

Entrance to Horniman Museum and Gardens, early 20th century

Front of the Horniman Museum in 1896

Horniman water Gardens in 1924.

Dutch Barn on the Bandstand Terrace

Bandstand Terrace around 1903 / 1904

Rear view of the Bandstand from early 20th century

Bandstand and Terrace in 1911

Boating pond with railway in background, early twentieth century



Westwood Park Gate entrance, early 20th century

The Avenue looking south towards London Road, late 19th century



A History of Natural History Curators

Over the past few months, we've been working with members of the University of the Third Age on a project to compile a history of our natural history curators, many of whom we didn't know a lot about. 
 
The participants presented their findings yesterday, to an enthralled audience, who heard a fascinating history of more than 100 years at the Horniman. Listen below to some of the participants speaking about what they found during their research.
 
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