The Horniman has loaned three musical instruments to a major new exhibition celebrating the life and times of Samuel Pepys at the National Maritime Museum.
Samuel Pepys: Plague, Fire, Revolution has brought together a wealth of paintings, manuscripts and artefacts to explore the period from the execution of King Charles I in 1649 to the Glorious Revolution in 1688.
They are exploring a formative era which saw the repositioning of the monarchy and the consolidation of Britain’s place as a maritime, economic and political force on the world stage. It coincides with the 400th anniversary of the Queen’s House, one of London’s most important buildings sitting at the heart of Stuart Greenwich and now the Royal Museums Greenwich.
The exhibition uses the voice and experiences of Pepys, one of the most colourful and appealing personalities of the age. Pepys is well known as a passionate diarist and prolific correspondent, but the exhibition also looks at his character as a master naval administrator, a well-connected socialite, gossip, and lover of music, theatre and fine living.
Music is very important to his story as one of his abiding passions – he played, composed and was an amateur teacher. He is known to have played the played the flageolet, guitar and lute – the three artefacts we have loaned to the exhibition. The Horniman’s instruments play an important role illustrating the types of instruments from this period he may have played.
Samuel Pepys: Plague, Fire, Revolution is on at the National Maritime Museum until the 28th March 2016.