{
    "instructions": [
        {
            "date": [
                {
                    "earliest": 1999,
                    "value": "1999-08-26",
                    "latest": 1999,
                    "primary": true
                }
            ],
            "note": "IROONEY",
            "instruction": "red",
            "type": "HANDLING STATUS"
        }
    ],
    "note": [
        {
            "type": "catalogue note",
            "value": "Bought from Rajasthani Puppeteers by MEM for the Eucation Centre. \nMiddle - moderate handling by one person from audience or tutor at front of controlled session."
        }
    ],
    "loan": {
        "value": "N"
    },
    "subject": [
        {
            "summary": {
                "title": "Family and Home"
            },
            "@link": {
                "role": [
                    {
                        "value": "theme"
                    }
                ],
                "attribution": {
                    "date": [
                        {
                            "earliest": 2013,
                            "value": "2013-08-10",
                            "latest": 2013,
                            "primary": true
                        }
                    ],
                    "attributor": "Shepherd, Rupert"
                }
            },
            "@admin": {
                "uid": "hmc-subject-324",
                "id": "subject-324",
                "uuid": "ef655832-434e-3cee-8eb3-355146e32731"
            },
            "@entity": "reference"
        },
        {
            "summary": {
                "title": "Puppets"
            },
            "@admin": {
                "uid": "hmc-subject-205",
                "id": "subject-205",
                "uuid": "951d66f4-1074-3ef9-9c59-81505361188f"
            },
            "@entity": "reference"
        },
        {
            "summary": {
                "title": "How puppets were created"
            },
            "@admin": {
                "uid": "hmc-subject-215",
                "id": "subject-215",
                "uuid": "92f2743e-a903-387c-a204-eacb747c4c2f"
            },
            "@entity": "reference"
        },
        {
            "summary": {
                "title": "Amar Singh Rathore"
            },
            "@admin": {
                "uid": "hmc-subject-216",
                "id": "subject-216",
                "uuid": "27f7e13f-1103-31fe-8dc0-1ebe4f0e639a"
            },
            "@entity": "reference"
        }
    ],
    "description": [
        {
            "type": "catalogue description",
            "value": "Kathputli string puppet depicting a juggler with a wooden ball. Wood and textile body with carved wooden head and pink beads in one ear.  the arms and body are usually of stuffed rags and there are no legs.",
            "primary": true
        },
        {
            "type": "more (online)",
            "value": "Kath meaning wood and putli meaning doll in the Hindi language."
        },
        {
            "date": [
                {
                    "earliest": 1999,
                    "value": "1999",
                    "latest": 1999,
                    "primary": true
                }
            ],
            "source": "Mellor, Mary",
            "type": "Find Out File",
            "value": "These string puppets from Rajastan are known as Kathputli. The head is carved from wood & painted; the arms and body are usually of stuffed rags and there are no legs. The puppets have high-pitched voices, created by speaking through bamboo and rubber reeds known as Boli. The traditional play involves a hero, Amar Singh, and several trick puppets such as the drummer, the juggler, the horse rider, the snake-charmer and the mask-maker with 2 faces - male & female. The performance is accompanied by music on drums & percussion."
        },
        {
            "type": "description",
            "value": "Kathputli string puppet depicting a juggler with a wooden ball. Wood and textile body with carved wooden head and pink beads in one ear. Bought from Rajasthani Puppeteers by MEM for the Eucation Centre.  the arms and body are usually of stuffed rags and there are no legs."
        },
        {
            "type": "manufacture basic (online)",
            "value": "The head is carved out of wood and painted usually a light colour. The body of the puppet is stuffed with cotton rags to give it a human body like appearance. Kathputli puppets have no legs but instead they have long skirts often made of colourful decorated cloth. The strings used to control it are always black so that they do not show against the black background of the stage."
        },
        {
            "type": "manufacture more (online)",
            "value": "Puppets are traditionally made by the same puppeteers who perform with them, from the Bhatt community. The puppet heads and torso are usually made of mango wood and their arms are stuffed with cloth, the hands contain no joints unlike other puppets of India. The puppets have no legs as the lower body is covered in long, gathered skirts, based on the medieval Rajasthani style of clothing from the Emperor's court. The skirts are made of light materials, bordered and weighted with gold or silver cloth. The puppets wear swords, turbans, crowns, beards and moustaches in accordance with their importance in life. Puppets are normally 1 to 1.5 feet tall (30-45cm)."
        },
        {
            "attribution": {
                "attributor": "Patel, India"
            },
            "type": "description",
            "value": "Kathputli string puppet depicting a juggler with a wooden ball. Wood and textile body with carved wooden head and pink beads in one ear.  the arms and body are usually of stuffed rags and there are no legs."
        },
        {
            "historical": true,
            "type": "use",
            "value": "How is it used? \n  A small stage is set at a festival or fair and the loud beats of a \"dholak\" drum announce the beginning of the show. The sutradhar, the main puppeteer, is accompanied by the bhagavat (narrator-singer) who is always a woman and usually his wife, an assistant, and musicians for the drums, cymbals and the harmonium. During performances the sutradhar manipulates puppets by black strings attached to their fingers from above and which do not show up against the black back cloth. He speaks through a \"boli\", a type of split bamboo whistle, to give the puppets their shrill voices, and plays the \"ghungroo\" bells.  Plays are normally narrated by the female bhagavat of the group who also sings ballads and drums that coordinate with the movement of the puppets. Today performances are also held to spread messages about issues such as health and  environmental awareness.    \n \n Who is it used by and why them?    \n Kathputli shows are performed by travelling puppeteers who pass their skills and the legends from generation to generation. These puppeteers are traditionally from a community of agricultural labourers known as \"Bhatts\" who also sometimes act as genealogists, tracing family ancestry and advising on suitable marriages to maintain bloodlines.   Puppetry in India is deeply rooted in its religious ethos. The main puppeteer is the sutradhar which means 'holder of the strings '. Scholars refer to the Hindu demi \u00e2\u20ac\u201cgod Visvakarma as the 'holder of every string.' Thus the puppeteer is also cast in a role akin to that of god who gives life to the puppets. Most commence their shows with prayers and, at the end of the show, put the puppets reverentially aside. When puppets decay, they are floated away in rivers after performing the worship. The belief persists to this day that the gods bless puppets and they must be respected accordingly."
        },
        {
            "historical": true,
            "type": "use",
            "value": "Kathputli shows keep history, ideas and legends alive by acting out scenes of worship and re-telling adventures of Indian heroes such as the fierce warrior Amar Singh Rathore often using 'trick' puppets such as this juggler or comedy puppets to keep the audience entertained."
        },
        {
            "type": "use",
            "value": "Kathputli shows keep history, ideas and legends alive by acting out scenes of worship and re-telling adventures of Indian heroes such as the fierce warrior Amar Singh Rathore often using \u00e2\u20ac\u02dctrick\u00e2\u20ac\u2122 puppets such as this juggler or comedy puppets to keep the audience entertained.  \n \n How is it used?  A small stage is set at a festival or fair and the loud beats of a \u00e2\u20ac\u0153dholak\u00e2\u20ac\ufffd drum announce the beginning of the show. The sutradhar, the main puppeteer, is accompanied by the bhagavat (narrator-singer) who is always a woman and usually his wife, an assistant, and musicians for the drums, cymbals and the harmonium. During performances the sutradhar manipulates puppets by black strings attached to their fingers from above and which do not show up against the black back cloth. He speaks through a \u00e2\u20ac\u0153boli\u00e2\u20ac\ufffd, a type of split bamboo whistle, to give the puppets their shrill voices, and plays the \u00e2\u20ac\u0153ghungroo\u00e2\u20ac\ufffd bells.  Plays are normally narrated by the female bhagavat of the group who also sings ballads and drums that coordinate with the movement of the puppets. Today performances are also held to spread messages about issues such as health and  environmental awareness.    Who is it used by and why them?    Kathputli shows are performed by travelling puppeteers who pass their skills and the legends from generation to generation. These puppeteers are traditionally from a community of agricultural labourers known as \u00e2\u20ac\u0153Bhatts\u00e2\u20ac\ufffd who also sometimes act as genealogists, tracing family ancestry and advising on suitable marriages to maintain bloodlines.   Puppetry in India is deeply rooted in its religious ethos. The main puppeteer is the sutradhar which means \u00e2\u20ac\u02dcholder of the strings \u00e2\u20ac\u02dc. Scholars refer to the Hindu demi \u00e2\u20ac\u201cgod Visvakarma as the \u00e2\u20ac\u02dcholder of every string.\u00e2\u20ac\u2122 Thus the puppeteer is also cast in a role akin to that of god who gives life to the puppets. Most commence their shows with prayers and, at the end of the show, put the puppets reverentially aside. When puppets decay, they are floated away in rivers after performing the worship. The belief persists to this day that the gods bless puppets and they must be respected accordingly."
        }
    ],
    "language": [
        "eng"
    ],
    "title": [
        {
            "type": "catalogue title",
            "value": "kathputli",
            "primary": true
        },
        {
            "type": "more (online)",
            "value": "Kath meaning wood and putli meaning doll in the Hindi language."
        },
        {
            "value": "kathputli"
        }
    ],
    "type": {
        "sub_type": [
            "general"
        ],
        "scope": "WHOLE",
        "base": "object"
    },
    "legal": {
        "status": "handling collection"
    },
    "options": {
        "item_count": "1",
        "option7": "Anthropology",
        "option5": "Puppets: string",
        "flag4": "N",
        "option6": "http:\/\/www.dkimages.com\/discover\/previews\/989\/50116034.JPG; \nhttp:\/\/web.ukonline.co.uk\/richard.widdess\/rajasthan\/puppeteers.html#3; \nhttp:\/\/www.dkimages.com\/discover\/previews\/989\/50116034.JPG",
        "flag3": "N",
        "system_count": "0",
        "flag2": "N",
        "flag1": "N",
        "option1": "Over the last 15 years, the Kathputli shows have become less popular and the puppets have been made mainly for use in the tourist industry.\nHowever there has been a recent return of Kathputli shows set in motion by academics wishing to keep this important cultural performance style alive. Supported by government funding, shows now tour all over India promoting themes such as HIV\/AIDS awareness, family planning, disability awareness, the environment, conservation, literacy, the welfare of rural women, communal harmony and farming.  \n\nThe puppeteers now perform in schools, community centres, homes, courtyards, villages, slums dwellings as well as at fairs and festivals. They also run workshops for students, teachers, health professionals and voluntary agency workers to teach them how puppetry can be an important tool to help people learn and give important messages.\n\nCan you think of any puppets you know that are used in the same way?",
        "option2": "The head is carved out of wood and painted usually a light colour. The body of the puppet is stuffed with cotton rags to give it a human body like appearance.  Kathputli puppets have no legs but instead long skirts often made of colourful decorated cloth. The strings used to control it are always black so that they don\u2019t show against the black background of the stage. Puppets are traditionally made by the same puppeteers who perform with them, from the Bhatt community.  The puppet heads and torso are usually made of mango wood and their arms are stuffed with cloth, the hands contain no joints unlike other puppets of India. The puppets have no legs as the lower body is covered in long, gathered skirts, based on the medieval Rajasthani style of clothing from the Emperors court. The skirts are made of light materials, bordered and weighted with gold or silver cloth. The puppets wear swords, turbans, crowns, beards and moustaches in accordance with their importance in life.  Puppets are normally 1 to 1.5 feet tall (30-45cm).",
        "option10": "ComEd: Hands on our Puppets (retired)"
    },
    "appraisal": [
        {
            "source": "catalogue",
            "@entity": "lifecycle"
        }
    ],
    "term": [
        {
            "summary": {
                "title": "string puppets"
            },
            "@link": {
                "role": [
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                        "value": "object name (Horniman Ethno.)"
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                "attribution": {
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                            "earliest": 1999,
                            "value": "26-Aug-99",
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        {
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                "title": "shell"
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    ],
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            "term": "cloth",
            "descriptor": "material",
            "@reference": {
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                    "title": "textile"
                },
                "@link": {
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                    ]
                },
                "@admin": {
                    "uid": "hmc-term-1015563",
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            "type": "material"
        },
        {
            "component": "overall",
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                "primary": true
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            }
        ]
    },
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        "title": "juggler string puppet"
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            "primary": true
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            "primary": true
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