{ "instructions": [ { "date": [ { "earliest": 1999, "value": "1999-08-26", "latest": 1999, "primary": true } ], "note": "IROONEY", "instruction": "red", "type": "HANDLING STATUS" } ], "note": [ { "type": "catalogue note", "value": "Bought MEM from 'Moonlight Puppets for the Education Centre. {RELATEDOBJS: Ravana in the Music Gallery (on display).\nBamboo - HC.2002.132.3 - Hands on Base (material used in construction of the puppets)\nStory Cloth - E720.3 - Quarantine Room (depicts scenes from Balinese version of the Ramayana)\nTextile hanging - nn12614 - ? (depicts scenes from the Ramayana)\nOther Indian shadow puppets from the Ramayana \u2013 Ravana, Sita, Hanuman\nCambodian shadow puppets on display in the HOB; especially the stretched skin sample and the tools used to make them and the booklet of how they get made. \nWayang Golek rod puppets from Indonesia \u2013 Rama and Hanuman. Shows how stories and ideas travel.}\n\nManufacture continued: \nPuppeteers live mainly in the Kochi, Palghat, and Trichur districts of Kerala. The master puppeteer in the group is called Pulavar, meaning scholar, after a famous family of puppeteers. The family troupe at Koonathara is the only surviving troupe from the Pulavar family in Kerala to preserve the art and train new artists in the traditional methods of puppetry including the production of puppets." } ], "loan": { "value": "N" }, "subject": [ { "summary": { "title": "Puppets" }, "@link": { "role": [ { "value": "learning subject" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-subject-205", "id": "subject-205", "uuid": "951d66f4-1074-3ef9-9c59-81505361188f" }, "@entity": "reference" }, { "summary": { "title": "Family and Home" }, "@link": { "role": [ { "value": "theme" } ], "attribution": { "date": [ { "earliest": 2013, "value": "2013-08-10", "latest": 2013, "primary": true } ], "attributor": "Shepherd, Rupert" } }, "@admin": { "uid": "hmc-subject-324", "id": "subject-324", "uuid": "ef655832-434e-3cee-8eb3-355146e32731" }, "@entity": "reference" }, { "summary": { "title": "Ramayana shadow puppets" }, "@link": { "role": [ { "value": "learning subject" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-subject-273", "id": "subject-273", "uuid": "2b144ce1-ce45-309d-b52b-1a455650147a" }, "@entity": "reference" } ], "description": [ { "type": "catalogue description", "value": "Shadow puppet, cut and painted hide depicting a dancing girl with a long plait and an articulated head.", "primary": true }, { "type": "original description", "value": "." }, { "date": [ { "earliest": 1999, "value": "1999", "latest": 1999, "primary": true } ], "note": [ { "value": "'Ramayanah'" } ], "source": "Mellor, Mary", "type": "Find Out File", "value": "Shadow puppet theatre in India mainly derives from Hindu Epics, the Ramayah & Mahabharata, and can be traced back to the 12th century. Epic characters include Rama, Sita, Hanuman, Ravana & Ganesha. Plays are also performed about social & political issues, for example promoting health programmes, at festivals, markets & religious ceremonies.The puppets are made from animal skin, which is dried, cleaned, scraped and beaten until it is thin & translucent, and then it is cut to shape. Separate sections form the head, neck, body & limbs. Wires attached to the neck, shoulders, elbows, knees, waist and hands enable the puppets to be moved." }, { "type": "description", "value": "Shadow puppet, cut and painted hide depicting a dancing girl with a long plait and an articulated head. Bought MEM from 'Moonlight Puppets for the Education Centre.\n\n{RELATEDOBJS: Ravana in the Music Gallery (on display).\nBamboo - HC.2002.132.3 \u2013 Hands on Base (material used in construction of the puppets)\nStory Cloth - E720.3 - Quarantine Room (depicts scenes from Balinese version of the Ramayana)\nTextile hanging - nn12614 - ? (depicts scenes from the Ramayana)\nOther Indian shadow puppets from the Ramayana \u2013 Ravana, Sita, Hanuman\nCambodian shadow puppets on display in the HOB; especially the stretched skin sample and the tools used to make them and the booklet of how they get made. \nWayang Golek rod puppets from Indonesia \u2013 Rama and Hanuman. Shows how stories and ideas travel.}\n\nManufacture continued: \nPuppeteers live mainly in the Kochi, Palghat, and Trichur districts of Kerala. The master puppeteer in the group is called Pulavar, meaning scholar, after a famous family of puppeteers. The family troupe at Koonathara is the only surviving troupe from the Pulavar family in Kerala to preserve the art and train new artists in the traditional methods of puppetry including the production of puppets.\n\nBOOKS\/NOTES: Bali version of the Ramayan bought by Matt Yoxall. Green cover. In education library.\n\nWEBSITES\/NOTES: http:\/\/puppetindia.com\/shadow.htm (Cohesive local website all about puppets)\nhttp:\/\/www.puppetryindia.org\/types.htm (Local website about puppets)\nhttp:\/\/www.ignca.nic.in\/bibsp001.htm (bibliography on Shadow Puppets)\nhttp:\/\/ark.cdlib.org\/ark:\/13030\/ft5q2nb449\/ (Rama Stories and Shadow Puppets of South India)\nhttp:\/\/www.mykerala.net\/puppetry\/index.html\nhttp:\/\/www.hindu.com\/br\/2006\/06\/27\/stories\/2006062700171500.htm\n\nVIDEOS AND PHOTOGRAPHS: http:\/\/www.puppetryindia.org\/photo.htm" }, { "historical": true, "type": "description", "value": "Shadow puppet, cut and painted hide depicting a dancing girl with a long plait and an articulated head. Bought MEM from 'Moonlight Puppets for the Education Centre.\n\n{RELATEDOBJS: Ravana in the Music Gallery (on display).\nBamboo - HC.2002.132.3 \u2013 Hands on Base (material used in construction of the puppets)\nStory Cloth - E720.3 - Quarantine Room (depicts scenes from Balinese version of the Ramayana)\nTextile hanging - nn12614 - ? (depicts scenes from the Ramayana)\nOther Indian shadow puppets from the Ramayana \u2013 Ravana, Sita, Hanuman\nCambodian shadow puppets on display in the HOB; especially the stretched skin sample and the tools used to make them and the booklet of how they get made. \nWayang Golek rod puppets from Indonesia \u2013 Rama and Hanuman. Shows how stories and ideas travel.}\n\nManufacture continued: \nPuppeteers live mainly in the Kochi, Palghat, and Trichur districts of Kerala. The master puppeteer in the group is called Pulavar, meaning scholar, after a famous family of puppeteers. The family troupe at Koonathara is the only surviving troupe from the Pulavar family in Kerala to preserve the art and train new artists in the traditional methods of puppetry including the production of puppets.\n\nWEBSITES\/NOTES: http:\/\/puppetindia.com\/shadow.htm (Cohesive local website all about puppets)\nhttp:\/\/www.puppetryindia.org\/types.htm (Local website about puppets)\nhttp:\/\/www.ignca.nic.in\/bibsp001.htm (bibliography on Shadow Puppets)\nhttp:\/\/ark.cdlib.org\/ark:\/13030\/ft5q2nb449\/ (Rama Stories and Shadow Puppets of South India)\nhttp:\/\/www.mykerala.net\/puppetry\/index.html\nhttp:\/\/www.hindu.com\/br\/2006\/06\/27\/stories\/2006062700171500.htm\n\nVIDEOS AND PHOTOGRAPHS: http:\/\/www.puppetryindia.org\/photo.htm" }, { "historical": true, "type": "description", "value": "Shadow puppet, cut and painted hide depicting a dancing girl with a long plait and an articulated head. Bought MEM from 'Moonlight Puppets for the Education Centre.\n\n{RELATEDOBJS: Ravana in the Music Gallery (on display).\nBamboo - HC.2002.132.3 \u2013 Hands on Base (material used in construction of the puppets)\nStory Cloth - E720.3 - Quarantine Room (depicts scenes from Balinese version of the Ramayana)\nTextile hanging - nn12614 - ? (depicts scenes from the Ramayana)\nOther Indian shadow puppets from the Ramayana \u2013 Ravana, Sita, Hanuman\nCambodian shadow puppets on display in the HOB; especially the stretched skin sample and the tools used to make them and the booklet of how they get made. \nWayang Golek rod puppets from Indonesia \u2013 Rama and Hanuman. Shows how stories and ideas travel.}\n\nManufacture continued: \nPuppeteers live mainly in the Kochi, Palghat, and Trichur districts of Kerala. The master puppeteer in the group is called Pulavar, meaning scholar, after a famous family of puppeteers. The family troupe at Koonathara is the only surviving troupe from the Pulavar family in Kerala to preserve the art and train new artists in the traditional methods of puppetry including the production of puppets." }, { "type": "manufacture basic (online)", "value": "Shadow puppets are made in many different parts of India. This puppet, showing Princess Sita, came from Kerala in South India.\n \nDeerskin or goatskin is normally used as the main material for making shadow puppets in India. First the raw skin is dried. Tools, a bit like a chisel, are used to remove any animal hair. Small holes are made using tools made of bamboo, iron and sometimes the stem of an umbrella. Some puppets are coloured and some are black and white. Finally the skin is treated with chemicals to make it translucent to let the light through. This way the puppet, with its colours and lines, can be clearly seen behind the big screen, lit up by oil lamps or a light bulb, used to make the shadow play. Bamboo sticks are used as the attachments to the body. The puppeteer uses these to move the puppets arms and legs. Strings tie different parts (or joints) of the body together loosely so that they can move like the humans, gods or animals they represent." }, { "type": "manufacture more (online)", "value": "In the past, the paint used on the puppets were mixed by the puppeteers themselves, using natural colours from different vegetables. These days they have been replaced by stronger modern chemical based colours. Puppets are normally stored in bamboo or tin boxes to keep them in good condition. \n\nThe ancient sculptures and friezes (large stone or painted pictures) seen in the regional temples of India were originally used to get ideas for what the puppets should look like. Traditional puppeteers normally copy the designs of old puppets to make sure that traditional designs are not lost. \n\nShadow puppeteers make their own leather puppets. However other traditional puppeteers do not make their own puppets. Instead they ask craftsmen to make them for them. They only help in making costumes. \n\nPuppeteers live mainly in the Kochi, Palghat and Trichur districts of Kerala. The master puppeteer in the group is called Pulavar, meaning scholar, after a famous family of puppeteers. The family troupe at Koonathara is the only surviving troupe from the Pulavar family in Kerala to preserve the art and train new artists in the traditional methods of puppetry including the production of puppets." }, { "historical": true, "type": "description", "value": "Shadow puppet, cut and painted hide depicting a dancing girl with a long plait and an articulated head. Bought MEM from 'Moonlight Puppets for the Education Centre.\n{RELATEDOBJS: Ravana in the Music Gallery (on display).\nBamboo - HC.2002.132.3 \u2013 Hands on Base (material used in construction of the puppets)\nStory Cloth - E720.3 - Quarantine Room (depicts scenes from Balinese version of the Ramayana)\nTextile hanging - nn12614 - ? (depicts scenes from the Ramayana)\nOther Indian shadow puppets from the Ramayana \u2013 Ravana, Sita, Hanuman\nCambodian shadow puppets on display in the HOB; especially the stretched skin sample and the tools used to make them and the booklet of how they get made. \nWayang Golek rod puppets from Indonesia \u2013 Rama and Hanuman. Shows how stories and ideas travel.}\n{USE\/ADAPTATIONEVENMOREwillnotfit: SEE TEMPLATE}\n{PLACE: Kerala, South India, India; Asia}\n{TEMPLATEMANUFACTURE\/LIFECYCLEMORElastparagraphwillnotfit: Puppeteers live mainly in the Kochi, Palghat, and Trichur districts of Kerala. The master puppeteer in the group is called Pulavar, meaning scholar, after a famous family of puppeteers. The family troupe at Koonathara is the only surviving troupe from the Pulavar family in Kerala to preserve the art and train new artists in the traditional methods of puppetry including the production of puppets.}\n{PREVIOUSMANUFACTURE\/LIFECYCLE: The puppets are made from animal skin, which is dried, cleaned, scraped and beaten until it is thin and translucent and then cut to shape. Separate sections form the head, neck, body and limbs. Wires attached to the neck, shoulders, elbows, knees, waist and hands enable the puppets to be moved.}\n{PREVIOUSUSE\/ADAPTATION: Shadow puppet theatre in India mainly derives from Hindu Epics, the Ramayah & Mahabharata, and can be traced back to the 12th century. Epic characters include Rama, Sita, Hanuman, Ravana & Ganesha. Plays are also performed about social & political issues, for example promoting health programmes, at festivals, markets & religious ceremonies.The puppets are made from animal skin, which is dried, cleaned, scraped and beaten until it is thin & translucent, and then it is cut to shape. Separate sections form the head, neck, body & limbs. Wires attached to the neck, shoulders, elbows, knees, waist and hands enable the puppets to be moved.}" }, { "type": "more (online)", "value": "It is called tholu bommalatta (in the Indian state of Andhra Pradesh), togalu gombeatta (in the state of Karnataka) and thol pava koothu (in the state of Kerala). Thol means leather, pava means doll and koothu means play. India is a big country whose people speak many different languages. The main spoken language can change from state to state and, therefore, people in different states have different names for shadow puppets and shadow theatre." }, { "historical": true, "type": "use", "value": "Used for shadow puppet plays that tell the famous Indian story - The Ramayana." }, { "historical": true, "type": "use", "value": "How is it used? \nIndia has a long tradition in the art of puppetry going back more than 2000 years. Puppets are made to look like the sculptures of people and mythical creatures that can be found in well known Hindu temples. Most South Indian shadow puppets, like this one, are based on characters from the famous Indian stories called The Ramayana (the story of Prince Rama and Princess Sita) and the Mahabharata (another very important story also about the five Pandava Princes).\nThe puppets and their stories are used to tell the audience about the battle between good and evil. Shadow puppet plays are also performed about social and political issues, for example stories are told about how to stay in good health, and why it is important that both boys and girls get the same level of education. You would probably see shadow plays like this at festivals, markets and at religious ceremonies too. A big flat screen is hung on a stage space and a light is made behind it to help make the shadows.Traditionally oil lamps are used to make the light, but electric bulbs are also used nowadays. The puppet can be brought close to the screen to act out its part and then moved away to be replaced by the other. \n Princess Sita has articulated arms, waist, wrists and sections of plaited hair. This enables the puppeteer to make her move delicately.\n\n\nWho is it used by and why them? \nA puppeteer controls the puppet.They hold it and move it using the bamboo rods attached to its arms, legs and body. The puppeteer has to stand well back though, so that the audience cannot see them. \nBeing a puppeteer is an ancient tradition in India and is passed on down through the family. Children start learning from an early age, sometimes as little as four or five years old. Most traditional puppeteers in India start their shows with prayers and show respect to Ganesh the elepant headed God who is seen as the patron God of all puppets.\n\nShadow puppets are popular in South India in the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and some other areas. Men are normally the puppeteers and make the voices of the puppets, but now sometimes women, too, speak for the female characters." }, { "type": "use", "value": "Used for shadow puppet plays that tell the famous Indian story - The Ramayana \n \nHow is it used? India has a long tradition in the art of puppetry going back more than 2000 years. \nPuppets are made to look like the sculptures of people and mythical creatures that can be found in well known Hindu temples. Most South Indian shadow puppets, like this one, are based on characters from the famous Indian stories called The Ramayana (the story of Prince Rama and Princess Sita) and the Mahabharata (another very important story also about the five Pandava Princes). The puppets and their stories are used to tell the audience about the battle between good and evil. Princess Sita has articulated arms, waist, wrists and sections of plaited hair. This enables the puppeteer to make her move delicately. Shadow puppet plays are also performed about social and political issues, for example stories are told about how to stay in good health, and why it is important that both boys and girls get the same level of education. You would probably see shadow plays like this at festivals, markets and at religious ceremonies too. \nA big flat screen is hung on a stage space and a light is made behind it to help make the shadows. Traditionally oil lamps are used to make the light, but electric bulbs are also used nowadays. The puppet can be brought close to the screen to act out its part and then moved away to be replaced by the other. \n \nWho is it used by and why them? \n A puppeteer controls the puppet.They hold it and move it using the bamboo rods attached to its arms, legs and body. The puppeteer has to stand well back though, so that the audience cannot see them. \nBeing a puppeteer is an ancient tradition in India and is passed on down through the family. Children start learning from an early age, sometimes as little as 4 or 5 years old. Most traditional puppeteers in India start their shows with prayers and show respect to Ganesh the elepant headed God who is seen as the patron God of all puppets. \nShadow puppets are popular in South India in the states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and some other areas. Men are normally the puppeteers and make the" }, { "attribution": { "attributor": "Patel, India" }, "type": "description", "value": "Shadow puppet, cut and painted hide depicting a dancing girl with a long plait and an articulated head." } ], "language": [ "eng" ], "title": [ { "type": "catalogue title", "value": "tholu bommalatta, togalu gombeatta, thol pava koothu", "primary": true }, { "type": "display title" }, { "type": "more (online)", "value": "It is called tholu bommalatta (in the Indian state of Andhra Pradesh), togalu gombeatta (in the state of Karnataka) and thol pava koothu (in the state of Kerala). Thol means leather, pava means doll and koothu means play. India is a big country whose people speak many different languages. The main spoken language can change from state to state and, therefore, people in different states have different names for shadow puppets and shadow theatre." }, { "type": "display title", "value": "tholu bommalatta, togalu gombeatta, thol pava koothu" } ], "type": { "sub_type": [ "general" ], "scope": "WHOLE", "base": "object" }, "legal": { "status": "handling collection" }, "options": { "item_count": "1", "option7": "Anthropology", "option8": "Trail: Puppet Pathways1", "option5": "Puppets: shadow", "use": "Used in shadow puppet plays to tell a famous Indian story \"The Ramayana\", which is the story of Prince Rama and Princess Sita. This Princess Sita puppet has articulated arms, waist, wrists, and hair, which means that the puppeteer can move her very delicately. These kinds of puppet shows would often be put on at festivals, markets, and religious ceremonies; a big flat screen would be hung on stage with a light behind it, and the puppet would be moved close to or further away from the screen to perform. Puppeteering is an ancient tradition in India, passed down through families, with children learning how to puppeteer from as young as 4 or 5. Shadow puppets are especially popular in South India, in Andhra Pradesh, Karnataka, Kerala, Tamil Nado, and other areas.", "flag4": "N", "option6": "WEBSITES\/NOTES: http:\/\/puppetindia.com\/shadow.htm (Cohesive local website all about puppets)\nhttp:\/\/www.puppetryindia.org\/types.htm (Local website about puppets)\nhttp:\/\/www.ignca.nic.in\/bibsp001.htm (bibliography on Shadow Puppets)\nhttp:\/\/ark.cdlib.org\/ark:\/13030\/ft5q2nb449\/ (Rama Stories and Shadow Puppets of South India)\nhttp:\/\/www.mykerala.net\/puppetry\/index.html\nhttp:\/\/www.hindu.com\/br\/2006\/06\/27\/stories\/2006062700171500.htm", "flag3": "N", "flag2": "N", "flag1": "N", "system_count": "0", "option1": "People have been travelling the world for centuries. As people travel, they take their stories with them, inside their heads and inside their hearts. The Ramayana is a very special Indian story, loved and respected by Indians and other cultures all around the world. The Ramayana travelled mainly with sailors and trades people who went to other countries to trade goods. Sometimes these sailors and trades people were away for months on end. While they stayed in 'foreign lands' they told their stories, like the Ramayana, and talked about their home lives and their religions, too. They also shared their special skills, dances and music. Due to this, ideas from Hindu religion and the story of Rama and Sita \u2013 The Ramayana, can be found in many other countries around Asia. Some of these countries include Burma, Thailand, Cambodia and Indonesia. Local versions of The Ramayana are told in all these countries still, so you never know when you might come face to face with the evil Ravana.\n\nThink of the famous stories you know. Also think of stories you have been told. Who told them to you? Where did they come from and where did their story come from? Did you tell these stories to anyone else? If so, who and why?\n\nWith declining funding for the arts, many puppeteers no longer exhibit their puppetry but only sell puppets to tourists. \n\nWhat popular puppet plays exist in the UK?", "option2": "Shadow puppets are made in many different parts of India. This puppet showing Princess Sita came from Kerala in South India. \nDeerskin or goatskin is normally used as the main material for making shadow puppets in India. First, the raw skin is dried. Tools, a bit like a chisel, are used to remove any animal hair. Small holes are made using tools made of bamboo, iron, and sometimes the stem of an umbrella. Some puppets are coloured and some are black-and-white. Finally, the skin is treated with chemicals to make it translucent to let the light through. This way the puppet, with its colours and lines, can be clearly seen behind the big screen, lit up by oil lamps or a light bulb, used to make the shadow play. Bamboo sticks are used as the attachments to the body. The puppeteer uses these to move the puppets arms and legs. Strings tie different parts (or joints) of the body together loosely so that they can move like the humans, gods or animals they represent.\nIn the past, the paint used on the puppets were mixed by the puppeteers themselves, using natural colours from different vegetables. These days they have been replaced by stronger modern chemical based colours. Puppets are normally stored in bamboo or tin boxes to keep them in good condition. \nThe ancient sculptures and friezes (large stone or painted pictures) seen in the regional temples of India were originally used to get ideas for what the puppets should look like. Traditional puppeteers normally copy the designs of old puppets to make sure that traditional designs are not lost. \nShadow puppeteers make their own leather puppets. However, other traditional puppeteers do not make their own puppets. Instead, they ask craftsmen to make them for them. They only help in making costumes.", "option10": "ComEd: Hands on our Puppets; Discovery Box: Indian Shadow Puppets" }, "appraisal": [ { "source": "catalogue", "@entity": "lifecycle" } ], "term": [ { "summary": { "title": "Hindu" }, "@admin": { "uid": "hmc-term-500649", "id": "term-500649", "uuid": "07695e7f-0a24-3f2a-8bca-375b2176b2cb" }, "@entity": "reference" }, { "summary": { "title": "shadow puppets" }, "@link": { "role": [ { "value": "object name (Horniman Ethno.)" } ], "attribution": { "date": [ { "earliest": 1999, "value": "26-Aug-99", "latest": 1999, "primary": true } ], "attributor": "Horniman Education Centre" } }, "@admin": { "uid": "hmc-term-505459", "id": "term-505459", "uuid": "213bfc65-9539-37a9-845a-5c4a3bc70e3f" }, "@entity": "reference" }, { "summary": { "title": "shell" }, "@link": { "role": [ { "value": "classified as" } ] }, "@admin": { "uid": "hmc-term-1016308", "id": "term-1016308", "uuid": "d70dcb44-62ad-3e14-b299-ecce51efdadb" }, "@entity": "reference" } ], "physical": [ { "note": "Rooney, Imogen 1999-08-26", "component": "overall", "term": "complete", "descriptor": "completeness", "@reference": { "@entity": "literal" }, "type": "completeness" }, { "component": "overall", "term": "pigment", "descriptor": "material", "@reference": { "summary": { "title": "pigment" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1018232", "id": "term-1018232", "uuid": "41523533-464e-3170-a866-63e710b34659" }, "@entity": "reference" }, "type": "material" }, { "component": "overall", "term": "cane", "descriptor": "material", "@reference": { "summary": { "title": "cane" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1015491", "id": "term-1015491", "uuid": "b81a86fa-e2c2-3000-a11b-ac6ef393a512" }, "@entity": "reference" }, "type": "material" }, { "component": "overall", "term": "hide", "descriptor": "material", "@reference": { "summary": { "title": "hide" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1015474", "id": "term-1015474", "uuid": "a424a52f-338e-3391-9485-b0c5a5beb3df" }, "@entity": "reference" }, "type": "material" } ], "creation": { "place": [ { "summary": { "title": "South India" }, "@admin": { "uid": "hmc-place-1906", "id": "place-1906", "uuid": "48f64b74-1120-32b1-acd3-0508bf7af0f0" }, "historical": true, "@entity": "reference" }, { "summary": { "title": "Kerala, India, South Asia; Asia" }, "@link": { "source": "catalogue" }, "name": [ { "value": "Kerala, India, South Asia; Asia" } ], "@entity": "literal" }, { "summary": { "title": "Kerala" }, "@admin": { "uid": "hmc-place-538", "id": "place-538", "uuid": "1b6b4287-ae7e-3f7d-94b3-3f90cf153f57" }, "historical": true, "@entity": "reference" }, { "summary": { "title": "Asia" }, "@admin": { "uid": "hmc-place-95", "id": "place-95", "uuid": "11eb17fe-f9ea-31ea-b8d6-88e8e05e666d" }, "@entity": "reference" } ] }, "measurements": { "display": "overall: 630 x 690 x 3 mm", "count": 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