{ "instructions": [ { "date": [ { "earliest": 1999, "value": "1999-08-27", "latest": 1999, "primary": true } ], "note": "EOWEN", "instruction": "amber", "type": "HANDLING STATUS" } ], "note": [ { "type": "catalogue note", "value": "Bought MEM for the Education Centre from FONART (1984)." } ], "loan": { "value": "N" }, "subject": [ { "summary": { "title": "Masks" }, "@admin": { "uid": "hmc-subject-44", "id": "subject-44", "uuid": "204f75d5-7cdb-3a38-ab51-5f738775771f" }, "@entity": "reference" } ], "description": [ { "type": "catalogue description", "value": "Carved, polychrome wooden face mask of \"El Tigre\". Leather tongue, tusks, quill whiskers and glass or plastic eyes.", "primary": true }, { "type": "original description", "value": "c" }, { "date": [ { "earliest": 1999, "value": "1999", "latest": 1999, "primary": true } ], "source": "Mellor, Mary", "type": "Find Out File", "value": "These wooden masks from Guerro are used in the Tiger Dance - a dramatisation of a hunt for the tiger. The masks are painted yellow & black, and often incorporate feathers, tusks, fur and other natural items. Masked dancers also wear matching costumes. There are several other masked characters in the drama - the workers, the boss, a doctor, deer, hawks and comic figures. A dance master plays the drum and flute." }, { "historical": true, "type": "description", "value": "Carved, polychrome wooden face mask of \"El Tigre\". Leather tongue, tusks, quill whiskers and glass or plastic eyes. Bought MEM for the Education Centre from FONART (1984).\n\nCULTURE: Widespread across many Mexican states today and before Mexico was colonized by Spain\nTHE OLD DESCRIPTION FROM THE USE FIELD:The masks are used in the Tiger Dance, a dramatisation of a hunt for the tiger. The masks are ainted yellow and black and often inforporate feathers, tusks, fur and other natural items. Masked dancers also wear matching costumes. There are several other masked characters in teh drama - the workers, the boss, the doctor, a deer, hawks and comic figures. A dance master plays teh drum and flute.\nADDITIONAL WEB SITES:http:\/\/www.mexicanmasks.us\/Zitlala_Tiger.htm \nwww.statemuseum.arizona.edu\/podcasts\/ep004_mmat_tigre.shtml\nwww.randafricanart.com\/Tigre_mask_1.html \nhttp:\/\/www.docfilm.com\/mexfilms\/tigre\/indexF.htm?tigre.htm&down\n\nBOOKS:Tigers, Devils and the Dance of Life: Masks of Mexico\nMauldin, Barbara. \n(This should be a good ref. book if we have it in the library.) Need to check\n\nLook out for Cordry's book; Mexican Masks. It was a core text at one point, but a lot of people seem to be saying the content is unreliable (although well intentioned).\nMoya's 'The Other Face of Mexico' and Esser's 'Behind the Mask in Mexico' are other recommended texts.\n\nRELATED OBJECTS:Human face mask 15.7.60\/4 from Guerrero, Mexico \u2013 Centenary Gallery, Scholars Section\nPlus a range of masks from dance traditions in Mexico" }, { "type": "manufacture basic (online)", "value": "These masks are carved from local softwood or constructed in leather by local craftsmen. The exact materials used to decorate it may vary dependent on what is available. A certain number will be made to sell to tourists but these often have no eye holes as they are not designed to be worn." }, { "historical": true, "type": "description", "value": "Carved, polychrome wooden face mask of \"El Tigre\". Leather tongue, tusks, quill whiskers and glass or plastic eyes. Bought MEM for the Education Centre from FONART (1984).\n\n WEBSITES:\nhttp:\/\/www.mexicanmasks.us\/Zitlala_Tiger.htm - good pics of a leather tigre\nwww.statemuseum.arizona.edu\/podcasts\/ep004_mmat_tigre.shtml - transcript from their Mexican Masks exhibit.\nwww.randafricanart.com\/Tigre_mask_1.html - seemingly reliable website that uses academic references and has god pics. Specialises in African masks.\nhttp:\/\/www.docfilm.com\/mexfilms\/tigre\/indexF.htm?tigre.htm&down\n\nBOOKS:Tigers, Devils and the Dance of Life: Masks of Mexico\nMauldin, Barbara. \n(This should be a good ref. book if we have it in the library.) Need to check\n\nLook out for Cordry's book; Mexican Masks. It was a core text at one point, but a lot of people seem to be saying the content is unreliable (although well intentioned).\nMoya's 'The Other Face of Mexico' and Esser's 'Behind the Mask in Mexico' are other recommended texts.\n\nRELATED OBJECTS:Human face mask 15.7.60\/4 from Guerrero, Mexico \u2013 Centenary Gallery, Scholars Section\nPlus a range of masks from dance traditions in Mexico" }, { "historical": true, "type": "description", "value": "Carved, polychrome wooden face mask of \"El Tigre\". Leather tongue, tusks, quill whiskers and glass or plastic eyes. Bought MEM for the Education Centre from FONART (1984).\n\n WEBSITES:\nhttp:\/\/www.mexicanmasks.us\/Zitlala_Tiger.htm - good pics of a leather tigre\nwww.statemuseum.arizona.edu\/podcasts\/ep004_mmat_tigre.shtml - transcript from their Mexican Masks exhibit.\nwww.randafricanart.com\/Tigre_mask_1.html - seemingly reliable website that uses academic references and has god pics. Specialises in African masks.\nhttp:\/\/www.docfilm.com\/mexfilms\/tigre\/indexF.htm?tigre.htm&down\n\nBOOKS:Mexican Native Dances \u2013 Luis Covarrubias. Copy in Horniman Library and Education office files\nTigers, Devils and the Dance of Life: Masks of Mexico Mauldin, Barbara. \n(This should be a good ref. book if we have it in the library.) Need to check\n\nLook out for Cordry's book; Mexican Masks. It was a core text at one point, but a lot of people seem to be saying the content is unreliable (although well intentioned).\nMoya's 'The Other Face of Mexico' and Esser's 'Behind the Mask in Mexico' are other recommended texts.\n\nRELATED OBJECTS:Human face mask 15.7.60\/4 from Guerrero, Mexico \u2013 Centenary Gallery, Scholars Section\nPlus a range of masks from dance traditions in Mexico" }, { "historical": true, "type": "description", "value": "Carved, polychrome wooden face mask of \"El Tigre\". Leather tongue, tusks, quill whiskers and glass or plastic eyes. Bought MEM for the Education Centre from FONART (1984).\n\n WEBSITES:\nhttp:\/\/www.mexicanmasks.us\/Zitlala_Tiger.htm - good pics of a leather tigre\nwww.statemuseum.arizona.edu\/podcasts\/ep004_mmat_tigre.shtml - transcript from their Mexican Masks exhibit.\nwww.randafricanart.com\/Tigre_mask_1.html - seemingly reliable website that uses academic references and has god pics. Specialises in African masks.\nhttp:\/\/www.docfilm.com\/mexfilms\/tigre\/indexF.htm?tigre.htm&down\n\nBOOKS\/NOTES:Mexican Native Dances \u2013 Luis Covarrubias. Copy in Horniman Library and Education office files\nTigers, Devils and the Dance of Life: Masks of Mexico Mauldin, Barbara. \n(This should be a good ref. book if we have it in the library.) Need to check\n\nLook out for Cordry's book; Mexican Masks. It was a core text at one point, but a lot of people seem to be saying the content is unreliable (although well intentioned).\nMoya's 'The Other Face of Mexico' and Esser's 'Behind the Mask in Mexico' are other recommended texts.\n\nRELATED OBJECTS:Human face mask 15.7.60\/4 from Guerrero, Mexico \u2013 Centenary Gallery, Scholars Section\nPlus a range of masks from dance traditions in Mexico" }, { "type": "description", "value": "Carved, polychrome wooden face mask of \"El Tigre\". Leather tongue, tusks, quill whiskers and glass or plastic eyes. Bought MEM for the Education Centre from FONART (1984).\n\n WEBSITES\/NOTES:\nhttp:\/\/www.mexicanmasks.us\/Zitlala_Tiger.htm - good pics of a leather tigre\nwww.statemuseum.arizona.edu\/podcasts\/ep004_mmat_tigre.shtml - transcript from their Mexican Masks exhibit.\nwww.randafricanart.com\/Tigre_mask_1.html - seemingly reliable website that uses academic references and has god pics. Specialises in African masks.\nhttp:\/\/www.docfilm.com\/mexfilms\/tigre\/indexF.htm?tigre.htm&down\n\nBOOKS\/NOTES:Mexican Native Dances \u2013 Luis Covarrubias. Copy in Horniman Library and Education office files\nTigers, Devils and the Dance of Life: Masks of Mexico Mauldin, Barbara. \n(This should be a good ref. book if we have it in the library.) Need to check\n\nLook out for Cordry's book; Mexican Masks. It was a core text at one point, but a lot of people seem to be saying the content is unreliable (although well intentioned).\nMoya's 'The Other Face of Mexico' and Esser's 'Behind the Mask in Mexico' are other recommended texts.\n\nRELATED OBJECTS:Human face mask 15.7.60\/4 from Guerrero, Mexico \u2013 Centenary Gallery, Scholars Section\nPlus a range of masks from dance traditions in Mexico" }, { "historical": true, "type": "use", "value": "Worn by dancers acting as Jaguar characters in traditional annual dances in Mexico to mark religious feast days or to ensure fertility of new crops." }, { "historical": true, "type": "use", "value": "How is it used? \nTigre masks with a cotton painted costume are worn as part of a dance festival called the dance of the Tigre. The 'tigre dancers' usually wear the mask high on the head and look through the open mouth. Other characters in the dance are the boss, the workers carrying ropes to tie up the the 'tiger', a doctor, hawks, buzzards and dogs. These masked characters tell a story about a wild animal who lives in the mountains near a village. The tigre comes down from the mountains and threatens the villagers and their animals. The villagers gather together to catch and kill the tigre to stop it harming the people. \n \nWho is it used by and why them? \nThe 'tigre dancers' are usually men and some of the dances are very physical involving pretend violence or whipping. \n \nToday's Mexico is a fusion of Aztec and Spanish culture which came about as a result of the Spanish conquest of Mexico by Hernan Cortes in 1521. Many of the dances and masquerades have pre-colonial origins and refer to old gods such as Tlaloc, the rain god sometimes symbolised by the jaguar (tigre). The Tigre dance is performed throughout Mexico, but especially amongst indigenous groups in Guerrero, Oaxaca, Michoacan, and Morelos states." }, { "historical": true, "type": "use", "value": "The Tiger Dance has its origins as a cultivation rite as it is dedicated to the Tepeyollotli, the ancient jaguar god of the land. In addition to the mask, the Tigre also wears a cotton costume painted to resemble a wild cat. The dance begins with the entranced of the Master and 24 Tlacololeros, or helpers. (Tlacolol means to prepare the land). The dance centres around the pursuit, capture and death of the Tigre. There are many comic incidents, the first of which is the confusion caused by the misunderstanding of the Master's instructions as some of the helpers are deaf. The dance includes many masked characters; the master, the helpers, a doctor, a man dressed as a woman, a dog, a deer, buzzards. The characters may vary a little from one area to another. The performance is accompanied by a drum and a flute. The final sequence is the skinning of the Tigre and the sale of the skin. This includes a frenetic dance where the participants beat each other with heavy whips. This section has religious origins as it was common practice for penitents to bear pain. \n Sometimes teams from different communities come together and their Tigre's fight in competitive battles. Their Tigre masks are often made of leather and worn over the head to protect the wearer from injury. The dance can get quite violent sometimes with people hitting each other with pieces of knotted rope. The leather may be painted green or yellow, depending on which town or community the dancers come from.\nThe performance is very well attended by the local community and draws loud crowds of spectators. In tourist areas it has become a popular attraction." }, { "type": "use", "value": "Worn by dancers acting as Jaguar characters in traditional annual dances in Mexico to mark religious feast days or to ensure fertility of new crops. \n \nHow is it used? \n \nTigre masks with a cotton painted costume are worn as part of a dance festival called the dance of the Tigre. The Tigre dancers usually wear the mask high on the head and look through the open mouth. Other characters in the dance are the boss, the workers carrying ropes to tie up the Tigre, a doctor, hawks, buzzards and dogs. These masked characters tell a story about a wild animal who lives in the mountains near a village. The Tigre comes down from the mountains and threatens the villagers and their animals. The villagers gather together to catch and kill the Tigre to stop it harming the people. \n \nWho is it used by and why them? \n \nThe Tigre dancers are usually men and some of the dances are very physical involving pretend violence or whipping. \nToday\u00e2\u20ac\u2122s Mexico is a fusion of Aztec and Spanish culture which came about as a result of the Spanish conquest of Mexico by Hernan Cortes in 1521. Many of the dances and masquerades have pre-colonial origins and refer to old gods such as Tlaloc, the rain god sometimes symbolised by the Jaguar(Tigre) The Tigre dance is performed throughout Mexico, but especially amongst indigenous groups in Guerrero, Oaxaca, Michoacan, and Morelos states. \n \n \nThe Tiger Dance has its origins as a cultivation rite as it is dedicated to the Tepeyollotli, the ancient jaguar god of the land. In addition to the mask, the Tigre also wears a cotton costume painted to resemble a wild cat. The dance begins with the entranced of the Master and 24 Tlacololeros, or helpers. (Tlacolol means to prepare the land). The dance centres around the pursuit, capture and death of the Tigre. There are many comic incidents, the first of which is the confusion caused by the misunderstanding of the Master\u00e2\u20ac\u2122s instructions as some of the helpers are deaf. The dance includes many masked characters; the master, the helpers, a doctor, a man dressed as a woman, a dog, a deer, buzzards. The characters may vary a little from one area to another. The performance is accompanied by a drum and a flute. The final sequence is the skinning of the Tigre and the sale of the skin. This includes a frenetic dance where the participants beat each other with heavy whips. This section has religious origins as it was common practice for penitents to bear pain. \n Sometimes teams from different communities come together and their Tigre\u00e2\u20ac\u2122s fight in competitive battles. Their Tigre masks are often made of leather and worn over the head to protect the wearer from injury. The dance can get quite violent sometimes with people hitting each other with pieces of knotted rope. The leather may be painted green or yellow, depending on which town or community the dancers come from. \nThe performance is very well attended by the local community and draws loud crowds of spectators. In tourist areas it has become a popular attraction." }, { "attribution": { "attributor": "Patel, India" }, "type": "description", "value": "Carved, polychrome wooden face mask of \"El Tigre\". Leather tongue, tusks, quill whiskers and glass or plastic eyes." } ], "language": [ "eng" ], "type": { "sub_type": [ "general" ], "scope": "WHOLE", "base": "object" }, "legal": { "status": "handling collection" }, "options": { "item_count": "1", "option7": "Anthropology", "option5": "Masks", "use": "These wooden masks from Guerro are used in the Tiger Dance - a dramatisation of a hunt for the tiger. The masks are painted yellow & black, and often incorporate feathers, tusks, fur and other natural items. Masked dancers also wear matching costumes. There are several other masked characters in the drama - the workers, the boss, a doctor, deer, hawks and comic figures. A dance master plays the drum and flute. Worn by dancers acting as Jaguar characters in traditional annual dances in Mexico to mark religious feast days or to ensure fertility of new crops. \n \nHow is it used? \n \nTigre masks with a cotton painted costume are worn as part of a dance festival called the dance of the Tigre. The Tigre dancers usually wear the mask high on the head and look through the open mouth. Other characters in the dance are the boss, the workers carrying ropes to tie up the Tigre, a doctor, hawks, buzzards and dogs. These masked characters tell a story about a wild animal who lives in the mountains near a village. The Tigre comes down from the mountains and threatens the villagers and their animals. The villagers gather together to catch and kill the Tigre to stop it harming the people. \n \nWho is it used by and why them? \n \nThe Tigre dancers are usually men and some of the dances are very physical involving pretend violence or whipping. \nToday's Mexico is a fusion of Aztec and Spanish culture which came about as a result of the Spanish conquest of Mexico by Hernan Cortes in 1521. Many of the dances and masquerades have pre-colonial origins and refer to old gods such as Tlaloc, the rain god sometimes symbolised by the Jaguar(Tigre) The Tigre dance is performed throughout Mexico, but especially amongst indigenous groups in Guerrero, Oaxaca, Michoacan, and Morelos states. \n \nThe Tiger Dance has its origins as a cultivation rite as it is dedicated to the Tepeyollotli, the ancient jaguar god of the land. In addition to the mask, the Tigre also wears a cotton costume painted to resemble a wild cat. The dance begins with the entranced of the Master and 24 Tlacololeros, or helpers. (Tlacolol means to prepare the land). The dance centres around the pursuit, capture and death of the Tigre. There are many comic incidents, the first of which is the confusion caused by the misunderstanding of the Master\u00e2\u20ac\u2122s instructions as some of the helpers are deaf. The dance includes many masked characters; the master, the helpers, a doctor, a man dressed as a woman, a dog, a deer, buzzards. The characters may vary a little from one area to another. The performance is accompanied by a drum and a flute. The final sequence is the skinning of the Tigre and the sale of the skin. This includes a frenetic dance where the participants beat each other with heavy whips. This section has religious origins as it was common practice for penitents to bear pain. \n Sometimes teams from different communities come together and their Tigre's fight in competitive battles. Their Tigre masks are often made of leather and worn over the head to protect the wearer from injury. The dance can get quite violent sometimes with people hitting each other with pieces of knotted rope. The leather may be painted green or yellow, depending on which town or community the dancers come from. \nThe performance is very well attended by the local community and draws loud crowds of spectators. In tourist areas it has become a popular attraction.", "flag4": "N", "option6": "WEBSITES\/NOTES:\nhttp:\/\/www.mexicanmasks.us\/Zitlala_Tiger.htm - good pics of a leather tigre\nwww.statemuseum.arizona.edu\/podcasts\/ep004_mmat_tigre.shtml - transcript from their Mexican Masks exhibit.\nwww.randafricanart.com\/Tigre_mask_1.html - seemingly reliable website that uses academic references and has god pics. Specialises in African masks.\nhttp:\/\/www.docfilm.com\/mexfilms\/tigre\/indexF.htm?tigre.htm&down", "flag3": "N", "flag2": "N", "flag1": "N", "system_count": "0", "option1": "These ancient masked performances were often originally intended to please the gods and ensure a good crop, rainfall or fertility. In short, as a kind of protection. The Spanish colonists discouraged these practices and encouraged the practice of Christianity instead. \n\nDo most people you know still feel the need for protection? Are they superstitious? Do they pray for blessings? Are people today very different in their needs from those early people who devised these rituals?", "option2": "These masks are carved from local softwood or constructed in leather by local craftsmen. The exact materials used to decorate it may very dependent on what is available. A certain number will be made to sell to tourists but these often have no eye holes as they are not designed to be worn", "option10": "ComEd: Hands on our Masks; ; Schools: Masks From Around the World" }, "appraisal": [ { "source": "catalogue", "@entity": "lifecycle" } ], "term": [ { "summary": { "title": "Mexican Peoples" }, "@admin": { "uid": "hmc-term-500758", "id": "term-500758", "uuid": "c9b776a3-a528-3c10-8b31-a7c92407068f" }, "@entity": "reference" }, { "summary": { "title": "masks (dance & live theatre)" }, "@link": { "role": [ { "value": "object name (Horniman Ethno.)" } ], "attribution": { "date": [ { "earliest": 1999, "value": "27-Aug-99", "latest": 1999, "primary": true } ], "attributor": "Horniman Education Centre" } }, "@admin": { "uid": "hmc-term-508252", "id": "term-508252", "uuid": "4a8550ae-3b55-3149-b1da-f7c3f653e185" }, "@entity": "reference" }, { "summary": { "title": "shell" }, "@link": { "role": [ { "value": "classified as" } ] }, "@admin": { "uid": "hmc-term-1016308", "id": "term-1016308", "uuid": "d70dcb44-62ad-3e14-b299-ecce51efdadb" }, "@entity": "reference" } ], "physical": [ { "note": "Owen, Elizabeth M. 1999-08-27", "component": "overall", "term": "complete", "descriptor": "completeness", "@reference": { "@entity": "literal" }, "type": "completeness" }, { "component": "overall", "term": "wood", "descriptor": "material", "@reference": { "summary": { "title": "wood" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1015488", "id": "term-1015488", "uuid": "9374e5ef-ab0b-3b66-84bd-3f9728ed1f9a" }, "@entity": "reference" }, "type": "material" }, { "component": "overall", "term": "quills", "descriptor": "material", "@reference": { "summary": { "title": "quill" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1016306", "id": "term-1016306", "uuid": "02197d46-aa4c-3920-80a9-b36e931115d5" }, "@entity": "reference" }, "type": "material" }, { "component": "overall", "term": "leather", "descriptor": "material", "@reference": { "summary": { "title": "leather" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1015475", "id": "term-1015475", "uuid": "40413197-a5fe-3d61-b373-e7a6b71bbb02" }, "@entity": "reference" }, "type": "material" } ], "creation": { "place": [ { "summary": { "title": "Mexico" }, "@link": { "locale": "Guerro" }, "@admin": { "uid": "hmc-place-245", "id": "place-245", "uuid": "d4555105-713f-33a4-aec4-e03fa85ed115" }, "historical": true, "@entity": "reference" }, { "summary": { "title": "Guerrero, Mexico, Central America; Americas" }, "@link": { "source": "catalogue" }, "name": [ { "value": "Guerrero, Mexico, Central America; Americas" } ], "@entity": "literal" }, { "summary": { "title": "Guerrero" }, "@admin": { "uid": "hmc-place-477", "id": "place-477", "uuid": "14f38bef-5b35-374d-82cf-e7d06fae3fea" }, "historical": true, "@entity": "reference" }, { "summary": { "title": "Americas" }, "@admin": { "uid": "hmc-place-94", "id": "place-94", "uuid": "5bcfa32d-ef15-319c-9247-e63d52bffcf8" }, "@entity": "reference" } ], "@entity": "lifecycle" }, "measurements": { "display": "overall: 310 x 220 x 145 mm", "count": "1", "dimensions": [ { "type": "catalogue dimensions", "value": "overall: 310 x 220 x 145 mm", "primary": true }, { "units": "in", "dimension": "depth", "value": "5 11\/16" }, { "units": "mm", "dimension": "depth", "value": "145" }, { "units": "in", "dimension": "height", "value": "12 3\/16" }, { "units": "mm", "dimension": "height", "value": "310" }, { "units": "in", "dimension": "width", "value": "8 11\/16" }, { "units": "mm", "dimension": "width", "value": "220" } ] }, "summary": { "title": "Tigre mask" }, "identifier": [ { "accession_number": "HC.1999.1554", "type": "accession number", "value": "HC.1999.1554", "primary": true } ], "collection": "Anthropology", "condition": [ { "date": { "earliest": 1999, "value": "1999-08-27", "latest": 1999 }, "examiner": "Owen, Elizabeth M.", "value": "1: good" } ], "multimedia": [ { "processed": { "preview": { "resizable": true, "format": "jpeg", "modified": 1222690244000, "location": "160\/381\/preview_WI_HC_1999_1554.jpg", "type": "image", "measurements": { "filesize": { "units": "bytes", "value": 1331 }, "dimensions": [ { "units": "pixels", "dimension": "height", "value": 76 }, { "units": "pixels", "dimension": "width", "value": 76 } ] } }, "feature": { "resizable": true, "format": "jpeg", "modified": 1222690244000, "location": "160\/381\/feature_WI_HC_1999_1554.jpg", "type": "image", "measurements": { "filesize": { "units": "bytes", "value": 13294 }, "dimensions": [ { "units": "pixels", "dimension": "height", "value": 373 }, { "units": "pixels", "dimension": "width", "value": 373 } ] } }, "large": { "resizable": true, "format": "jpeg", "modified": 1222690244000, "location": "160\/381\/large_WI_HC_1999_1554.jpg", "type": "image", "measurements": { "filesize": { "units": "bytes", "value": 43787 }, "dimensions": [ { "units": "pixels", "dimension": "height", "value": 750 }, { "units": "pixels", "dimension": "width", "value": 750 } ] } }, "mid": { "resizable": true, "format": "jpeg", "modified": 1222690244000, "location": "160\/381\/mid_WI_HC_1999_1554.jpg", "type": "image", "measurements": { "filesize": { "units": "bytes", "value": 2157 }, "dimensions": [ { "units": "pixels", "dimension": "height", "value": 115 }, { "units": "pixels", "dimension": "width", "value": 115 } ] } }, "body": { "resizable": true, "format": "jpeg", "modified": 1222690244000, "location": "160\/381\/body_WI_HC_1999_1554.jpg", "type": "image", "measurements": { "filesize": { "units": "bytes", "value": 2049 }, "dimensions": [ { "units": "pixels", "dimension": "height", "value": 110 }, { "units": "pixels", "dimension": "width", "value": 110 } ] } } }, "@link": { "role": [ { "value": "image of object" } ], "attribution": { "type": "image (online)" } }, "@admin": { "uid": "hmc-media-160381", "id": "media-160381", "uuid": "2b29bc37-ec8d-36d9-a3f3-df896e55cb5f" }, "legal": { "rights": [ { "holder": "Horniman Museum and Gardens", "type": "copyright" } ] }, "type": "image", "@entity": "reference" } ], "@admin": { "processed": 1745604144973, "sequence": 7527272, "uid": "hmc-object-10081", "added": 1664637526277, "stream": "collections-online", "id": "object-10081", "source": "hmc", "uuid": "33986ba6-a105-3468-b832-7b953c252d1d" }, "material": [ { "type": "catalogue materials", "value": "wood, glass, leather, teeth, wild boar hair", "primary": true } ], "culture": [ { "@link": { "source": "catalogue" }, "name": [ { "type": "catalogue culture", "value": "Mexican" } ], "@entity": "literal" }, { "summary": { "title": "Mexican Peoples" }, "@link": { "variation": 0 }, "@admin": { "uid": "hmc-term-500758", "id": "term-500758", "uuid": "c9b776a3-a528-3c10-8b31-a7c92407068f" }, "@entity": "reference" }, { "value": "Widespread across many Mexican states today and before Mexico was colonized by Spain" }, { "value": "Mexican" } ], "name": [ { "type": "catalogue name", "value": "Tigre mask", "primary": true }, { "@reference": { "summary": { "title": "masks (dance & live theatre)" }, "@link": { "role": [ { "value": "object name (Horniman Ethno.)" } ], "attribution": { "date": [ { "earliest": 1999, "value": "27-Aug-99", "latest": 1999, "primary": true } ], "attributor": "Horniman Education Centre" }, "variation": 119550 }, "@admin": { "uid": "hmc-term-508252", "id": "term-508252", "uuid": "4a8550ae-3b55-3149-b1da-f7c3f653e185" }, "@entity": "reference" }, "type": "object name (Horniman Ethno.)" }, { "type": "object name" }, { "type": "object name" }, { "type": "object name (Horniman Ethno.)", "value": "mask (dance & live theatre)" }, { "type": "object name", "value": "El Tigre mask" }, { "type": "object name", "value": "Tigre mask" } ], "location": [ { "type": "home location", "value": "HMG - Forest Hill; Horniman Museum; Hands on Base; Display; Case 16; Shelf j; Space 1" } ], "category": [ { "type": "category1", "value": "Education Handling Collection: Anthropology" } ], "cumulation": { "date": [ { "source": "catalogue", "earliest": 1984, "value": "1984", "latest": 1984 }, { "role": [ { "value": "date collected" } ], "earliest": 1984, "value": "1984", "latest": 1984 } ] }, "facility": [ { "summary": { "title": "Space 1" }, "@link": { "date": { "earliest": 2024, "value": "2024-01-04", "latest": 2024 }, "level5": "Shelf j", "level4": "Case 16", "current": "Y", "level6": "Space 1", "last": { "level5": "Shelf j", "level4": "Case 16", "level6": "Space 1", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "purpose": "annual audit", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "@admin": { "uid": "hmc-facility-10252", "id": "facility-10252", "uuid": "f3032a39-3744-3966-8184-887829a6def8" }, "@entity": "reference", "primary": true }, { "summary": { "title": "Hands on Base" }, "@link": { "date": { "earliest": 2007, "value": "2007-02-22", "latest": 2007 }, "current": "N", "role": [ { "value": "historical" } ], "last": { "level4": "000014-16", "location": "Hands on Base Bay 14-16", "level1": "FH", "level3": "0000M7", "level2": "3\/70" }, "purpose": "Exhibition", "moved": { "by": "Cort, Julia" }, "location": "Horniman Museum. Hands on Base", "level1": "Display", "level2": "Pegboard 15" }, "@admin": { "uid": "hmc-facility-50", "id": "facility-50", "uuid": "0883a9b0-c9c4-3cde-b33d-c612b2dc8f70" }, "@entity": "reference" }, { "summary": { "title": "Space 3" }, "@link": { "date": { "earliest": 2008, "value": "2008-03-20", "latest": 2008 }, "level4": "Space 3", "current": "N", "role": [ { "value": "historical" } ], "last": { "location": "Horniman Museum. Hands on Base", "level1": "Display", "level2": "Pegboard 15" }, "purpose": "Exhibition", "moved": { "by": "Cort, Julia" }, "location": "Horniman Museum. Hands on Base", "level1": "Display", "level3": "Shelf f", "level2": "Case 16" }, "@admin": { "uid": "hmc-facility-10234", "id": "facility-10234", "uuid": "ee2d6fd6-bfd8-3e72-9db9-d054d65ed9b2" }, "@entity": "reference" }, { "summary": { "title": "Space 1" }, "@link": { "date": { "earliest": 2016, "value": "2016-04-27", "latest": 2016 }, "level5": "Shelf j", "level4": "Case 16", "level6": "Space 1", "role": [ { "value": "historical" } ], "last": { "location": "Horniman Museum. Hands on Base", "level1": "Corner Office", "level3": "Shelf C", "level2": "Bay 2" }, "purpose": "Exhibition", "moved": { "by": "Maycock, Lucy" }, "current": "N", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "@admin": { "uid": "hmc-facility-10159", "id": "facility-10159", "uuid": "06180fe3-e41b-30ef-b4ca-ed0bc013f15f" }, "@entity": "reference" }, { "summary": { "title": "Shelf C" }, "@link": { "container": "Conservation repairs", "date": { "earliest": 2016, "value": "2016-04-26", "latest": 2016 }, "current": "N", "role": [ { "value": "historical" } ], "purpose": "conservation", "moved": { "by": "Maycock, Lucy" }, "location": "Horniman Museum. Hands on Base", "level1": "Corner Office", "level3": "Shelf C", "level2": "Bay 2" }, "@admin": { "uid": "hmc-facility-10139", "id": "facility-10139", "uuid": "cb41cfcf-6a25-3512-bba3-c6ed1d5e337c" }, "@entity": "reference" }, { "summary": { "title": "Space 1" }, "@link": { "date": { "earliest": 2017, "value": "2017-01-03", "latest": 2017 }, "level5": "Shelf j", "level4": "Case 16", "current": "N", "level6": "Space 1", "role": [ { "value": "historical" } ], "last": { "level5": "Shelf j", "level4": "Case 16", "level6": "Space 1", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "purpose": "annual audit", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "@admin": { "uid": "hmc-facility-10252", "id": "facility-10252", "uuid": "f3032a39-3744-3966-8184-887829a6def8" }, "@entity": "reference" } ], "object": [ { "summary": { "title": "mask (dance & live theatre)" }, "@admin": { "uid": "hmc-object-75924", "id": "object-75924", "uuid": "13003ff8-d950-36a7-98b9-f925d2e8166b" }, "@entity": "reference" } ] }