{ "instructions": [ { "date": [ { "earliest": 2011, "value": "2011-10-03", "latest": 2011, "primary": true } ], "note": "Complete", "author": "Shepherd, Rupert", "type": "CO Core Record QA" }, { "date": [ { "earliest": 2011, "value": "2011-10-03", "latest": 2011, "primary": true } ], "note": "Complete", "author": "Shepherd, Rupert", "type": "CO Extended Record 1 QA" }, { "date": [ { "earliest": 2011, "value": "2011-10-03", "latest": 2011, "primary": true } ], "note": "Extended Record 1", "author": "Shepherd, Rupert", "type": "CO" }, { "date": [ { "earliest": 1999, "value": "1999-08-27", "latest": 1999, "primary": true } ], "note": "IROONEY", "instruction": "red", "type": "HANDLING STATUS" } ], "note": [ { "type": "catalogue note", "value": "Bought MEM Henry Browinrigg for Education Centre in 1978.\nOnly for use with very close supervision i.e. modelled by one person in a front led talk controlled environment\n\n{PREVIOUSMANUFACTURE\/LIFECYCLE: This mask is made from cloth soaked in plaster and pressed into a mould although most such masks are carved from wood.}\n{PREVIOUSUSE\/ADAPTATION: Monks, performing in front of the monastery at the year's end, wore masks of this type. The character of this mask represents a protector of the religion intended to frighten away the enemies of Tibetan Buddhism.}\n\n\nWEBSITES\/NOTES: \nwww.tibet.net\/tipa\/eng\/ - TIPA (Tibetan Inst. for the Performing Arts)\nwww.norbulingka.org - (Preservation of Tibetan culture in Dharamsala chaired by the Dalai Lama)" } ], "loan": { "value": "N" }, "projects": [ "CollectionsOnline01" ], "subject": [ { "summary": { "title": "Masks" }, "@link": { "role": [ { "value": "related subject" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-subject-44", "id": "subject-44", "uuid": "204f75d5-7cdb-3a38-ab51-5f738775771f" }, "@entity": "reference" }, { "summary": { "title": "Yama" }, "@link": { "role": [ { "value": "learning subject" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-subject-307", "id": "subject-307", "uuid": "346f3a12-b7b0-3db8-9567-c28651cd23a0" }, "@entity": "reference" } ], "description": [ { "type": "catalogue description", "value": "Painted plaster and fabric head and face mask representing a cow.", "primary": true }, { "date": [ { "earliest": 1999, "value": "1999", "latest": 1999, "primary": true } ], "note": [ { "value": "Centenary Gallery" } ], "attribution": { "attributor": "Learning Section" }, "source": "Mellor, Mary", "type": "Find Out File", "value": "This mask is made from cloth soaked in plaster and pressed into a mould although most such masks are carved from wood. The skulls around the top of the mask are missing. The third eye of wisdom is shown on the forehead. Monks, performing in front of the monastery at the year's end, wore masks of this type. The character of this mask represents a protector of the religion intended to frighten away the enemies of Tibetan Buddhism. The theme of the dance is the struggle between good and evil. The dancers wear richly coloured costumes of Chinese silk and are accompanied by trumpets and drums.\n\nOther characters appearing in the mystery plays, known as tsham, were mythical or supernatural animals." }, { "attribution": { "attributor": "Learning Section" }, "type": "description (online)", "value": "Painted plaster and fabric head and face mask representing a cow. \n\nThis object was bought from Henry Browinrigg for the Education Centre by Mary Mellors in 1978." }, { "attribution": { "attributor": "Learning Section" }, "type": "manufacture basic (online)", "value": "This mask is made from cloth soaked in plaster and pressed into a mould although Cham masks are also carved from wood. Both types are then laquered or painted. Young monks in Tibetan monastries produce cham masks for the religious ceremonies or repair and re- laquer older ones in readiness for the annual dances. Masks would have originally been make of animal skins and fur.\n\nMasks are highly revered and are kept in the monastry's gonkhang, a special darkened room which only monks can enter." }, { "attribution": { "attributor": "Patel, India" }, "type": "description", "value": "Painted plaster and fabric head and face mask representing a cow." }, { "historical": true, "type": "use", "value": "This is a Tibetan Cham Buddhist temple dance mask. Several of the dances performed by the monks included animal masks, like this one, and probably date back to the pre-Buddhist shamanistic religion, Bon. Masks with horns often represent Yama, Lord of the Dead." }, { "type": "commentary", "value": "This is a Tibetan Cham Buddhist temple dance mask. Several of the dances performed by the monks included animal masks, like this one, and probably date back to the pre-Buddhist shamanistic religion, Bon. Masks with horns often represent Yama, Lord of the Dead. How is it used? The dancers wear richly coloured costumes of Chinese silk and are accompanied by a monastic orchestra. Often the dances are performed at the end of temple festivals to drive away any remaining bad spirits. Yama or buffalo mask characters appear with a lasso for catching souls in one hand and a skeleton-shaped scepter in the other. His arrival at the head of the dance procession usually signify the end of the ritual. In some peformances he acts as an executioner type character. Who is it used by and why them? This Cham mask is traditionally worn by Tibetan Buddhist monks who perform in the courtyards of the monastery for the spiritual benefit of its lay community. In Cham the monk dancers are considered to temporarily embody (become) the spiritual being or enlightened person the mask represents and gain some of their spiritual power too. Cham dances are thought to originate in the dreams or meditation of famous Tibetan holy men (Lamas). The choreography of new dances is recorded in dance manuals called cham-yig or passed on from monk to monk by oral tradition and through a long line of Lamas who are dance masters. The dances have also been adapted by touring dance companies and are also performed by non monks as a tourist spectacle in Tibet, China and the West." }, { "type": "use", "value": "How is it used? \nThe dancers wear richly coloured costumes of Chinese silk and are accompanied by a monastic orchestra. Often the dances are performed at the end of temple festivals to drive away any remaining bad spirits. Yama or buffalo mask characters appear with a lasso for catching souls in one hand and a skeleton-shaped scepter in the other. His arrival at the head of the dance procession usually signifies the end of the ritual. In some peformances he acts as an executioner type character. \n \nWho is it used by and why them? \nThis Cham mask is traditionally worn by Tibetan Buddhist monks who perform in the courtyards of the monasteries for the spiritual benefit of their lay community. In Cham, the monk dancers are considered to temporarily embody (become) the spiritual being or enlightened person the mask represents and gain some of their spiritual power too. \n \nCham dances are thought to originate in the dreams or meditation of famous Tibetan holy men (Lamas). The choreography of new dances is recorded in dance manuals called cham-yig or passed on from monk to monk by oral tradition and through a long line of Lamas who are dance masters. The dances have also been adapted by touring dance companies and are also performed by non-monks as a tourist spectacle in Tibet, China and the West." } ], "language": [ "eng" ], "type": { "sub_type": [ "general" ], "scope": "WHOLE", "base": "object" }, "legal": { "status": "handling collection" }, "options": { "item_count": "1", "option5": "Masks", "use": "This Cham mask is traditionally worn by Tibetan Buddhist monks who perform in the courtyards of the monastery for the spiritual benefit of its lay community. In Cham the monk dancers are considered to temporarily embody (become) the spiritual being or enlightened person the mask represents and gain some of their spiritual power too. \n\nCham dances are thought to originate in the dreams or meditation of famous Tibetan holy men (Lamas). The choreography of new dances is recorded in dance manuals called cham-yig or passed on from monk to monk by oral tradition and through a long line of Lamas who are dance masters. The dances have also been adapted by touring dance companies and are also performed by non monks as a tourist spectacle in Tibet, China and the West.", "flag4": "N", "option6": "'The New Grove Dictionary of Music and Musicians' 78 SAD Vol.25 pg 442-4.; \nThurman, R.& Rhie, M. 'The Sacred Art of Tibet' v pg108.; \nhttp:\/\/www.norbulingka.org", "flag3": "N", "flag2": "N", "flag1": "N", "system_count": "0", "option4": "CollectionsOnline01", "option1": "Many Tibetans have fled Tibet as a result of the Chinese invasion and occupation of the country since 1949-50. They moved to live in North India after the Indian Government agreed to let the Dalai Lama live there with his followers. Dharamsala in North India is the current seat of the Tibetan Government in exile. Some Tibetans live in Nepal which neighbours Tibet. Since settling in North India and other parts of India, Tibetans have continued to try and upkeep their traditions and arts so as to keep their culture alive despite being unable to live in their own country.\n\nIf you were leaving your country and could not ever go back, what things and ideas would you take with you?", "option2": "This mask is made from cloth soaked in plaster and pressed into a mould although Cham masks are also carved from wood. Both types are then laquered or painted. Young monks in Tibetan monastries produce cham masks for the religious ceremonies or repair and re- laquer older ones in readiness for the annual dances. Masks would have originally been make of animal skins and fur.\nMasks are highly revered and are kept in the monastry\u2019s gonkhang, a special darkened room which only monks can enter.", "option10": "ComEd: Hands on our Masks" }, "appraisal": [ { "source": "catalogue", "@entity": "lifecycle" } ], "term": [ { "summary": { "title": "Tibetan" }, "@link": { "attribution": { "attributor": "Learning Section", "type": "maker or user" } }, "@admin": { "uid": "hmc-term-500892", "id": "term-500892", "uuid": "b79d2b44-04a8-3070-9372-75ec859af563" }, "@entity": "reference" }, { "summary": { "title": "masks (dance & live theatre)" }, "@link": { "role": [ { "value": "object name (Horniman Ethno.)" } ], "attribution": { "date": [ { "earliest": 1999, "value": "1999-08-27", "latest": 1999, "primary": true } ], "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-term-508252", "id": "term-508252", "uuid": "4a8550ae-3b55-3149-b1da-f7c3f653e185" }, "@entity": "reference" }, { "summary": { "title": "masks (dance & live theatre)" }, "@link": { "role": [ { "value": "object name" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-term-508252", "id": "term-508252", "uuid": "4a8550ae-3b55-3149-b1da-f7c3f653e185" }, "@entity": "reference" }, { "summary": { "title": "Tibetan" }, "@link": { "role": [ { "value": "maker or user" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-term-500892", "id": "term-500892", "uuid": "b79d2b44-04a8-3070-9372-75ec859af563" }, "@entity": "reference" }, { "summary": { "title": "mineral plaster" }, "@link": { "role": [ { "value": "material" } ], "attribution": { "attributor": "Collections Conservation And Care Section" } }, "@admin": { "uid": "hmc-term-1016355", "id": "term-1016355", "uuid": "8c1cdd8f-ce12-3b38-9a08-62a7e876d7a8" }, "@entity": "reference" }, { "summary": { "title": "varnish" }, "@link": { "role": [ { "value": "material" } ], "attribution": { "attributor": "Collections Conservation And Care Section" } }, "@admin": { "uid": "hmc-term-1015558", "id": "term-1015558", "uuid": "711e36e0-2bcf-3832-98e2-78e0d4946672" }, "@entity": "reference" }, { "summary": { "title": "textile" }, "@link": { "role": [ { "value": "technique" } ], "attribution": { "attributor": "Collections Conservation And Care Section" } }, "@admin": { "uid": "hmc-term-1015563", "id": "term-1015563", "uuid": "83aad852-425d-3e84-b5df-8d4cd04f7ad6" }, "@entity": "reference" }, { "summary": { "title": "shell" }, "@link": { "role": [ { "value": "classified as" } ] }, "@admin": { "uid": "hmc-term-1016308", "id": "term-1016308", "uuid": "d70dcb44-62ad-3e14-b299-ecce51efdadb" }, "@entity": "reference" } ], "physical": [ { "note": "Rooney, Imogen 1999-08-27", "component": "overall", "term": "complete", "descriptor": "completeness", "@reference": { "@entity": "literal" }, "type": "completeness" }, { "note": "Collections Conservation And Care Section.", "component": "overall", "term": "varnish", "descriptor": "material", "@reference": { "summary": { "title": "animal lacquer" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1016278", "id": "term-1016278", "uuid": "b32796c8-0678-38af-8e69-cba1d893b6b5" }, "sort": 3, "@entity": "reference" }, "type": "material" }, { "note": "Collections Conservation And Care Section.", "component": "overall", "term": "textile", "descriptor": "technique", "@reference": { "summary": { "title": "textile" }, "@link": { "role": [ { "value": "technique" } ] }, "@admin": { "uid": "hmc-term-1015563", "id": "term-1015563", "uuid": "83aad852-425d-3e84-b5df-8d4cd04f7ad6" }, "sort": 2, "@entity": "reference" }, "type": "technique" }, { "note": "Collections Conservation And Care Section.", "component": "overall", "term": "plaster", "descriptor": "material", "@reference": { "sort": 1, "@entity": "literal" }, "type": "material" } ], "creation": { "place": [ { "summary": { "title": "Tibet" }, "@link": { "role": [ { "value": "made or collected" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-place-312", "id": "place-312", "uuid": "2db4f42e-7c54-37ee-8704-c6d207f33226" }, "@entity": "reference" }, { "summary": { "title": "Tibet; Asia" }, "@link": { "source": "catalogue" }, "name": [ { "value": "Tibet; Asia" } ], "@entity": "literal" } ] }, "measurements": { "display": "overall: 318 x 320 x 340 mm", "attribution": { "attributor": "Documentation Section" }, "count": "1", "dimensions": [ { "type": "catalogue dimensions", "value": "overall: 318 x 320 x 340 mm", "primary": true }, { "units": "in", "dimension": "depth", "value": "13 3\/8" }, { "units": "mm", "dimension": "depth", "value": "340" }, { "units": "in", "dimension": "height", "value": "12 1\/2" }, { "units": "mm", "dimension": "height", "value": "318" }, { "units": "in", "dimension": "width", "value": "12 5\/8" }, { "units": "mm", "dimension": "width", "value": "320" } ] }, "summary": { "title": "mask" }, "identifier": [ { "accession_number": "HC.1999.1555", "type": "accession number", "value": "HC.1999.1555", "primary": true } ], "collection": "Anthropology", "condition": [ { "date": { "earliest": 2023, "value": "2023-01-03", "latest": 2023 }, "examiner": "Cort, Julia; 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