{ "instructions": [ { "date": [ { "earliest": 1999, "value": "1999-07-14", "latest": 1999, "primary": true } ], "note": "EOWEN", "instruction": "amber", "type": "HANDLING STATUS" } ], "note": [ { "type": "catalogue note", "value": "Bought MEM from Africa Centre for the Education Centre." } ], "loan": { "value": "N" }, "subject": [ { "summary": { "title": "Kente cloth" }, "@link": { "role": [ { "value": "learning subject" } ], "attribution": { "attributor": "Learning Section" } }, "@admin": { "uid": "hmc-subject-302", "id": "subject-302", "uuid": "48ff4876-7637-34ca-a59c-d149961644b2" }, "@entity": "reference" } ], "description": [ { "type": "catalogue description", "value": "Kente cloth with green warp with maroon, yellow and green design.", "primary": true }, { "date": [ { "earliest": 1999, "value": "1999", "latest": 1999, "primary": true } ], "source": "Mellor, Mary", "type": "Find Out File", "value": "This cloth is woven by men in long strips on a narrow loom. The strips are about 7.5cms wide and are joined together to make large cloths. The weaver can join strips of different patterns together to produce a complex pattern. The village of Bonwire, near Kumasi, was the original home of the Kente weavers and in the past Kente cloth was made for Ashanti kings and queens who had their own personal designs. The bright coloured silk threads were unravelled from cloth imported from Europe and combined with cotton. Nowadays rayon is often used instead of silk." }, { "type": "description", "value": "Kente cloth with green warp with maroon, yellow and green design. Bought MEM from Africa Centre for the Education Centre.\n\nPLACE: Kumasi Region, Ghana, West Africa.\n\nManufacture continued: \nIt is believed that before weaving was introduced from Gyaman (see connected stories), Ashanti people wore bark cloth. Tree bark was soaked and beaten until soft enough and large enough to wear as clothing. The first woven cloths were made from locally grown cotton and sometimes dyed with Indigo. The narrow looms used to produce strip weaving are thought to have originally been developed by nomads as they are easy to dismantle and transport. Although the introduction of weaving into West Africa is not recorded the Saharan trade route is a likely possibility. The original Kente cloth was produced on double heddled looms. As the cloth is woven it is wound around a bar on the loom and the warp thread weight\/sledge is unwound to release more of the warp threads for weaving. The weaver controls the heddles using strings, with a piece of calabash (gourd) at the end, which he passes between his toes to operate as pedals. The more complex patterns of the royal Asasia cloth were made using up to six heddles and required the highest level weaving skills. How weaving skills developed from the early Indigo cotton cloth to the sophisticated silk Asasia cloth has sadly not been well recorded as very few early cloths have survived. \nThe establishment of royal weaving workshops to produce fine cloth for the Ashanti court no doubt facilitated the development of new weaving skills. Another development factor was access to silk cloth, which they unravelled in order to reweave in their own designs, through the arrival of Dutch and other early traders.\n\nVIDEOS AND PHOTOGRAPHS: Photo of Ashanti King wearing cloth in Around Africa Talk resources.\n\nRELATED OBJECTS: Other cloths with messages or meanings include the Ghanaian Adinkra Cloth, HOB wardrobe No. x? and the Fante Asafo Flag hanging above the Discovery Tables." }, { "historical": true, "type": "description", "value": "Kente cloth with green warp with maroon, yellow and green design. Bought MEM from Africa Centre for the Education Centre." }, { "type": "manufacture basic (online)", "value": "Kente cloth is hand woven on narrow double heddled upright looms. (The heddle separates the warp threads to allow the weaver to pass the weft shuttle through to create different patterns). The warp threads are tied to a large stone weight and extend perhaps seven or eight metres across the weaving shed\/yard to maintain the tension. For this reason, it is known as drag or sledge weaving. Each woven strip is about three to five inches wide and six to eight feet long. The first king's weavers were based in the village of Bonwire where Kente cloth is still woven today. Ashanti weavers are by tradition only men and boys begin to learn the craft at an early age." }, { "type": "manufacture more (online)", "value": "It is believed that before weaving was introduced from Gyaman (see connected stories), Ashanti people wore bark cloth. Tree bark was soaked and beaten until soft enough and large enough to wear as clothing. The first woven cloths were made from locally grown cotton and sometimes dyed with Indigo. The narrow looms used to produce strip weaving are thought to have originally been developed by nomads as they are easy to dismantle and transport. Although the introduction of weaving into West Africa is not recorded, the Saharan trade route is a likely possibility. \n\nThe original Kente cloth was produced on double heddled looms. As the cloth is woven, it is wound around a bar on the loom and the warp thread weight\/sledge is unwound to release more of the warp threads for weaving. The weaver controls the heddles using strings, with a piece of calabash (gourd) at the end, which he passes between his toes to operate as pedals. \n\nThe more complex patterns of the royal Asasia cloth were made using up to six heddles and required the highest level weaving skills. How weaving skills developed from the early Indigo cotton cloth to the sophisticated silk Asasia cloth has sadly not been well recorded as very few early cloths have survived. \n\nThe establishment of royal weaving workshops to produce fine cloth for the Ashanti court no doubt facilitated the development of new weaving skills. Another development factor was access to silk cloth through the arrival of Dutch and other early traders which they unravelled in order to reweave in their own designs." }, { "historical": true, "type": "use", "value": "Traditional multicoloured chequered woven cloth worn 'toga' style, covering the left shoulder, by both men and women at festivals and other important occasions." }, { "historical": true, "type": "use", "value": "How is it used?\nOnce only worn by the Ashanti King (Asantehene) and his court at festivals called Durbars, today many Ghanaians wear Kente cloth at formal occasions. Different designs have different names and stories attached to them and in the past some could only be worn by the king himself. The chequered, geometric and multicoloured patterns are worn horizontally around the body.\n\nWho by and why them?\nThe Ashanti Kingdom occupied southern Ghana in the 17th, 18th and 19th century. One of the earliest records of their manufacture of Kente cloth came from a Danish trader in the 1730s. He described how the Ashanti bought European silk cloth which they then unravelled for the threads to be re woven by the royal weavers in their own traditional designs. The finest 100% silk cloths were reserved for the king and important chiefs but others wore cloth made from a mix of silk and local cotton. One style of Kente weaving called Asasia required such skill that only the king could commission its making and allocate the right to wear it. The right to wear Asasia cloth was given by the king as a reward for loyalty and was highly prized." }, { "type": "more (online)", "value": "Kenten is a word meaning basket in the language of the Fante people of Ghana." }, { "historical": true, "type": "use", "value": "The designs were sometimes named after their owners or perhaps praised the virtues of their owners. Some designs reflected Ashanti proverbs and others historic events. One design known as Nyawoho, (he has become rich) was intended only for men who owned a certain amount of gold dust. As Kente cloth became available to wealthy people outside of the royal court a design was created to be worn by royals. Its message was (you may be rich but you are not royal). Modern designs reflect recent history, such as the Fathia Nkrumah design named after the wife of the first President. \n\nThe cloth is woven in narrow strips which are then sewn together to make cloth of different sizes. A woman's cloth uses eleven strips whilst a man's might have as many as 19. Women originally wore three small cloths. One on the lower body as a wrap around skirt, one to cover the upper body and the other to wear across the left shoulder." }, { "attribution": { "attributor": "Patel, India" }, "type": "description", "value": "Kente cloth with green warp with maroon, yellow and green design. \n\nPLACE: Kumasi Region, Ghana, West Africa.\n\nManufacture continued: \nIt is believed that before weaving was introduced from Gyaman (see connected stories), Ashanti people wore bark cloth. Tree bark was soaked and beaten until soft enough and large enough to wear as clothing. The first woven cloths were made from locally grown cotton and sometimes dyed with Indigo. The narrow looms used to produce strip weaving are thought to have originally been developed by nomads as they are easy to dismantle and transport. Although the introduction of weaving into West Africa is not recorded the Saharan trade route is a likely possibility. The original Kente cloth was produced on double heddled looms. As the cloth is woven it is wound around a bar on the loom and the warp thread weight\/sledge is unwound to release more of the warp threads for weaving. The weaver controls the heddles using strings, with a piece of calabash (gourd) at the end, which he passes between his toes to operate as pedals. The more complex patterns of the royal Asasia cloth were made using up to six heddles and required the highest level weaving skills. How weaving skills developed from the early Indigo cotton cloth to the sophisticated silk Asasia cloth has sadly not been well recorded as very few early cloths have survived. \nThe establishment of royal weaving workshops to produce fine cloth for the Ashanti court no doubt facilitated the development of new weaving skills. Another development factor was access to silk cloth, which they unravelled in order to reweave in their own designs, through the arrival of Dutch and other early traders.\n\nVIDEOS AND PHOTOGRAPHS: Photo of Ashanti King wearing cloth in Around Africa Talk resources.\n\nRELATED OBJECTS: Other cloths with messages or meanings include the Ghanaian Adinkra Cloth, HOB wardrobe No. x? and the Fante Asafo Flag hanging above the Discovery Tables." }, { "attribution": { "attributor": "Patel, India" }, "type": "description", "value": "Kente cloth with green warp with maroon, yellow and green design. \n\nManufacture continued: \nIt is believed that before weaving was introduced from Gyaman (see connected stories), Ashanti people wore bark cloth. Tree bark was soaked and beaten until soft enough and large enough to wear as clothing. The first woven cloths were made from locally grown cotton and sometimes dyed with Indigo. The narrow looms used to produce strip weaving are thought to have originally been developed by nomads as they are easy to dismantle and transport. Although the introduction of weaving into West Africa is not recorded the Saharan trade route is a likely possibility. The original Kente cloth was produced on double heddled looms. As the cloth is woven it is wound around a bar on the loom and the warp thread weight\/sledge is unwound to release more of the warp threads for weaving. The weaver controls the heddles using strings, with a piece of calabash (gourd) at the end, which he passes between his toes to operate as pedals. The more complex patterns of the royal Asasia cloth were made using up to six heddles and required the highest level weaving skills. How weaving skills developed from the early Indigo cotton cloth to the sophisticated silk Asasia cloth has sadly not been well recorded as very few early cloths have survived. \nThe establishment of royal weaving workshops to produce fine cloth for the Ashanti court no doubt facilitated the development of new weaving skills. Another development factor was access to silk cloth, which they unravelled in order to reweave in their own designs, through the arrival of Dutch and other early traders." }, { "attribution": { "attributor": "Patel, India" }, "type": "description", "value": "Kente cloth with green warp with maroon, yellow and green design." }, { "type": "use", "value": "Traditional multicoloured chequered woven cloth worn \u00e2\u20ac\u02dctoga\u00e2\u20ac\u2122 style, covering the left shoulder, by both men and women at festivals and other important occasions.\n\nHow is it used?\nOnce only worn by the Ashanti King (Asantehene) and his court at festivals called Durbars, today many Ghanaians wear Kente cloth at formal occasions. Different designs have different names and stories attached to them and in the past some could only be worn by the king himself. The chequered, geometric and multicoloured patterns are worn horizontally around the body.\n\nWho by and why them?\nThe Ashanti Kingdom occupied southern Ghana in the 17th, 18th and 19th century. One of the earliest records of their manufacture of Kente cloth came from a Danish trader in the 1730s. He described how the Ashanti bought European silk cloth which they then unravelled for the threads to be re woven by the royal weavers in their own traditional designs. The finest 100% silk cloths were reserved for the king and important chiefs but others wore cloth made from a mix of silk and local cotton. One style of Kente weaving called Asasia required such skill that only the king could commission its making and allocate the right to wear it. The right to wear Asasia cloth was given by the king as a reward for loyalty and was highly prized.\n\nThe designs were sometimes named after their owner or perhaps praised the virtues of their owners. Some designs reflected Ashanti proverbs and others historic events. One design known as Nyawoho, (he has become rich) was intended only for men who owned a certain amount of gold dust. As Kente cloth became available to wealthy people outside of the royal court a design was created to be worn by royals. Its message was (you may be rich but you are not royal). Modern designs reflect recent history, such as the Fathia Nkrumah design named after the wife of the first President. The cloth is woven in narrow strips which are then sewn together to make cloth of different sizes. A woman\u00e2\u20ac\u2122s cloth uses 11 strips whilst a men\u00e2\u20ac\u2122s might have as many as 19. Women originally wore three small cloths. One on the lower body as a wrap around skirt, one to cover the upper body and the other to wear across the left shoulder." } ], "language": [ "eng" ], "title": [ { "type": "catalogue title", "value": "kenten", "primary": true }, { "type": "display title" }, { "type": "english name" }, { "type": "english name", "value": "Kente cloth" }, { "type": "display title", "value": "kenten" }, { "type": "more (online)", "value": "Kenten is a word meaning basket in the language of the Fante people of Ghana." } ], "type": { "sub_type": [ "general" ], "scope": "WHOLE", "base": "object" }, "legal": { "status": "handling collection" }, "options": { "item_count": "1", "option7": "Anthropology", "option8": "African Worlds", "option5": "Textiles (fabric)", "use": "Traditional multicoloured chequered woven cloth worn across the body and covering the left shoulder at important festivals and occasions. Different designs of kente cloth have different names and stories attached to them, and in the past some could only be worn by the king himself; one style of kente weaving called Asasia required incredible skill and only the king could commission its making and allocate who could wear it.\nDesigns were sometimes named after their owner and praised their virtues while others reflected Ashanti proverbs and historic events.\nKente is worn by men and women alike.", "flag4": "N", "option6": "Ross, D. H. 'Wrapped in Pride' Horniman Library 055 687(667)ROS.; \nCole, H. M. & Ross, D. H. 'The Arts of Ghana' Horniman Library 6(667)COL.; \nKyeremateng, K. 'The Akans of Ghana' Horniman Library 308(667)KYE.; \nhttp:\/\/www.Ghana.gov.gh\/visiting\/culture; \nhttp:\/\/www.marshall.edu\/akanart\/cloth_kente.html", "flag3": "N", "flag2": "N", "flag1": "N", "system_count": "0", "option1": "Although the traditional weaving of kente cloth still continues today and the cloth is still worn at formal occasions, it is the kente patterns that have become a worldwide symbol of African unity. The patterns, often factory printed on cotton, are incorporated into a wide range of objects sold worldwide. \n\nNot only does kente represent the achievements of a wealthy early African empire, but it also represents the achievements of modern Ghana which is the very first African country to become independent in 1957. The first President, Kwame Nkrumah, an international figure, adopted the wearing of kente cloth to show his nationalism and his belief in Pan-Africanism. A very large piece of kente cloth, measuring 12 by 20 feet, was presented by Ghana to the United Nations in 1960 when it became a member. The pattern was named Tikoro Nko Agyina, meaning 'one head constitutes a council'.", "option2": "Kente cloth is hand woven on narrow double heddled upright looms. (The heddle separates the warp threads to allow the weaver to pass the weft shuttle through to create different patterns). The warp threads are tied to a large stone weight and extend perhaps 7 or 8 metres across the weaving shed\/yard to maintain the tension and for this reason is known as drag or sledge weaving. Each woven strip is about 3 \u2013 5 inches wide and 6 \u2013 8 foot long. The first king\u2019s weavers were based in the village of Bonwire where Kente cloth is still woven today. Ashanti weavers are by tradition only men and boys begin to learn the craft at an early age.", "option10": "Schools: Around Africa; Community Education: Hands on Costume; Schools: Around the World with Winny the Walrus" }, "appraisal": [ { "source": "catalogue", "@entity": "lifecycle" } ], "term": [ { "summary": { "title": "Asante" }, "@link": { "role": [ { "value": "maker or user" } ] }, "@admin": { "uid": "hmc-term-500506", "id": "term-500506", "uuid": "7e7f2b7a-a57a-30cb-a34d-0cb94a212b6a" }, "@entity": "reference" }, { "summary": { "title": "textiles (function unknown)" }, "@link": { "role": [ { "value": "object name (Horniman Ethno.)" } ] }, "@admin": { "uid": "hmc-term-1015405", "id": "term-1015405", "uuid": "bd68ec78-073a-3aa1-b09f-f357db94c996" }, "@entity": "reference" }, { "summary": { "title": "shell" }, "@link": { "role": [ { "value": "classified as" } ] }, "@admin": { "uid": "hmc-term-1016308", "id": "term-1016308", "uuid": "d70dcb44-62ad-3e14-b299-ecce51efdadb" }, "@entity": "reference" } ], "physical": [ { "note": "Owen, Elizabeth M. 1999-07-15", "component": "overall", "term": "complete", "descriptor": "completeness", "@reference": { "@entity": "literal" }, "type": "completeness" }, { "component": "overall", "term": "cotton", "descriptor": "material", "@reference": { "summary": { "title": "cotton" }, "@link": { "role": [ { "value": "material" } ] }, "@admin": { "uid": "hmc-term-1015510", "id": "term-1015510", "uuid": "1695c457-cc26-346a-a647-0d0df72cf224" }, "@entity": "reference" }, "type": "material" } ], "creation": { "place": [ { "summary": { "title": "Ghana" }, "@admin": { "uid": "hmc-place-194", "id": "place-194", "uuid": "28157f18-e079-3f6e-b7fb-0b95bdbab621" }, "@entity": "reference" }, { "summary": { "title": "Ghana, West Africa; Africa" }, "@link": { "source": "catalogue" }, "name": [ { "value": "Ghana, West Africa; Africa" } ], "@entity": "literal" }, { "summary": { "title": "Ghana" }, "@admin": { "uid": "hmc-place-194", "id": "place-194", "uuid": "28157f18-e079-3f6e-b7fb-0b95bdbab621" }, "@entity": "reference" } ] }, "measurements": { "display": "overall: 1735 x 810 mm", "count": "1", "dimensions": [ { "type": "catalogue dimensions", "value": "overall: 1735 x 810 mm", "primary": true }, { "units": "in", "dimension": "height", "value": "68 5\/16" }, { "units": "mm", "dimension": "height", "value": "1735" }, { "units": "in", "dimension": "width", "value": "31 7\/8" }, { "units": "mm", "dimension": "width", "value": "810" } ] }, "summary": { "title": "kente cloth" }, "identifier": [ { "accession_number": "HC.1999.280", "type": "accession number", "value": "HC.1999.280", "primary": true } ], "collection": "Anthropology", "condition": [ { "date": { "earliest": 2023, "value": "2023-01-03", "latest": 2023 }, "examiner": "Bashir-Eviston, Hannah", "value": "1: Useable" } ], "@admin": { "processed": 1744135283949, "sequence": 7609927, "uid": "hmc-object-7979", "added": 1664637524866, "stream": "collections-online", "id": "object-7979", "source": "hmc", "uuid": "d0f80a15-4f4e-3730-8827-36e9064b7674" }, "material": [ { "type": "catalogue materials", "value": "cotton", "primary": true } ], "culture": [ { "@link": { "source": "catalogue" }, "name": [ { "type": "catalogue culture", "value": "Ashanti" } ], "@entity": "literal" }, { "summary": { "title": "Asante" }, "@link": { "role": [ { "value": "maker or user" } ], "variation": 136962 }, "@admin": { "uid": "hmc-term-500506", "id": "term-500506", "uuid": "7e7f2b7a-a57a-30cb-a34d-0cb94a212b6a" }, "@entity": "reference" }, { "value": "The Ashanti people." }, { "value": "Ashanti" } ], "name": [ { "type": "catalogue name", "value": "kente cloth", "primary": true }, { "type": "object name" }, { "@reference": { "summary": { "title": "textiles (function unknown)" }, "@link": { "role": [ { "value": "object name (Horniman Ethno.)" } ], "variation": 126610 }, "@admin": { "uid": "hmc-term-1015405", "id": "term-1015405", "uuid": "bd68ec78-073a-3aa1-b09f-f357db94c996" }, "@entity": "reference" }, "type": "object name (Horniman Ethno.)" }, { "type": "object name" }, { "type": "object name (Horniman Ethno.)", "value": "textile (function unknown)" }, { "type": "object name", "value": "kente cloth" }, { "type": "object name", "value": "Kente Cloth" } ], "category": [ { "type": "category1", "value": "Education Handling Collection: Anthropology" } ], "facility": [ { "summary": { "title": "Box 1" }, "@link": { "date": { "earliest": 2024, "value": "2024-01-03", "latest": 2024 }, "level5": "Shelf B", "level4": "bay 3", "current": "Y", "level6": "Box 1", "last": { "level4": "Wardrobe 12", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "purpose": "annual audit", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Right Hand Archive", "level2": "Hands on Base" }, "@admin": { "uid": "hmc-facility-10968", "id": "facility-10968", "uuid": "b5852553-e32d-359c-9f04-9cb907c2494c" }, "@entity": "reference", "primary": true }, { "summary": { "title": "HMG - Forest Hill" }, "@link": { "date": { "earliest": 1999, "value": "1999-07-14", "latest": 1999 }, "current": "N", "role": [ { "value": "historical" } ], "last": { "location": "Horniman Museum.", "level1": "FH", "level2": "2\/45" }, "purpose": "temporary storage", "moved": { "by": "Owen, Elizabeth" }, "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level2": "2\/45" }, "@admin": { "uid": "hmc-facility-548", "id": "facility-548", "uuid": "3b8534e3-4d29-3619-bc5e-1216c54b42dc" }, "@entity": "reference" }, { "summary": { "title": "Hands on Base" }, "@link": { "date": { "earliest": 2007, "value": "2007-02-15", "latest": 2007 }, "current": "N", "role": [ { "value": "historical" } ], "last": { "level4": "00008-10", "location": "Hands on Base Bay 8-10", "level1": "FH", "level3": "0000M8", "level2": "3\/70" }, "purpose": "Exhibition", "moved": { "by": "Cort, Julia" }, "location": "Horniman Museum. Hands on Base", "level1": "Display", "level2": "Pegboard 9" }, "@admin": { "uid": "hmc-facility-50", "id": "facility-50", "uuid": "0883a9b0-c9c4-3cde-b33d-c612b2dc8f70" }, "@entity": "reference" }, { "summary": { "title": "Wardrobe 12" }, "@link": { "date": { "earliest": 2008, "value": "2008-03-27", "latest": 2008 }, "current": "N", "role": [ { "value": "historical" } ], "last": { "location": "Horniman Museum. Hands on Base", "level1": "Display", "level2": "Pegboard 9" }, "purpose": "Exhibition", "moved": { "by": "Cort, Julia" }, "location": "Horniman Museum. Hands on Base", "level1": "Display", "level2": "Wardrobe 12" }, "@admin": { "uid": "hmc-facility-10441", "id": "facility-10441", "uuid": "f6cde52b-0606-3e2c-8f24-4f0a439afccd" }, "@entity": "reference" }, { "summary": { "title": "freezer" }, "@link": { "date": { "earliest": 2020, "value": "2020-12-15", "latest": 2020 }, "current": "N", "role": [ { "value": "historical" } ], "last": { "level4": "Wardrobe 12", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "purpose": "Pest control", "moved": { "by": "Sandor, Julia" }, "location": "HMG - Forest Hill", "level1": "Bandstand", "level2": "freezer" }, "@admin": { "uid": "hmc-facility-11650", "id": "facility-11650", "uuid": "3a5151a7-1ecd-3c04-b98c-25ab3cba0981" }, "@entity": "reference" }, { "summary": { "title": "England" }, "@link": { "date": { "earliest": 2022, "value": "2022-10-10", "latest": 2022 }, "level4": "SE6 2SE", "current": "N", "role": [ { "value": "historical" } ], "last": { "level4": "Wardrobe 12", "location": "HMG - Forest Hill", "level1": "Horniman Museum", "level3": "Display", "level2": "Hands on Base" }, "purpose": "Loan out", "moved": { "by": "Hamblen, Eleanor" }, "location": "External", "level1": "United Kingdom", "level3": "Conisborough College", "level2": "England" }, "@admin": { "uid": "hmc-facility-15196", "id": "facility-15196", "uuid": "08f63cb9-9b41-36bc-9cec-5e8746eb7466" }, "@entity": "reference" }, { "summary": { "title": "Sydenham Garden Resource Centre" }, "note": [ { "value": "Outreach objects to be stored at Sydenham Gardens for Community Engagement outreach sessions from 30.10.24 to the 4.10.24. IPalmer to drop off and collect objects (IPATEL, 29.10.24)" } ], "@link": { "date": { "earliest": 2024, "value": "2024-10-30", "latest": 2024 }, "current": "N", "role": [ { "value": "historical" } ], "purpose": "Loan out", "moved": { "by": "Palmer, Isaac" }, "location": "External", "level1": "United Kingdom", "level3": "Sydenham Garden Resource Centre", "level2": "England" }, "@admin": { "uid": "hmc-facility-15224", "id": "facility-15224", "uuid": "b17c0d13-7676-3ff3-b853-07e510394a07" }, "@entity": "reference" } ] }