{
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            "note": "Complete",
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                    "value": "1999-08-04",
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            ],
            "note": "EOWEN",
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            "type": "HANDLING STATUS"
        }
    ],
    "note": [
        {
            "type": "catalogue note",
            "value": "sold 17 feb 1994\nlever arch files: The instrument was purchased in Sotheby's sale of Musical Instruments, 17 November 1994, Lot 121."
        }
    ],
    "loan": {
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        "MINIM-UK"
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    "description": [
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            "value": "Chikuzen biwa, four-stringed lute.",
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        },
        {
            "date": [
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                    "value": "26-Dec-99",
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            "type": "object description",
            "value": "<lutelike chordophones with long neck: plucked>"
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        {
            "date": [
                {
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                    "value": "2008-06-05",
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                    "primary": true
                }
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            "attribution": {
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            "historical": true,
            "type": "description",
            "value": "A MOSO-BIWA (SHORT-NECKED LUTE) Japan. The pear-shaped body of pronounced grain, the table of bare pine pierced by two crescent-shaped sound holes within applied ivory crescents, five wooden frets, the reflex pegbox terminating in a simple pentangular finial, four strings tuned from large fluted pegs. Length 35 5\/8 in. (90.5 cm.) \u00a3500-800."
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            "value": "chikuzen biwa. The back of mulberry wood, the table of kiri wood (paulownia). The post supporting the tailpiece is known as the 'hidden moon'. There is usually a band of leather on the table to protect it from the plectrum. The varnish on the table is not original, the table of the instrument is almost never varnished. Both this instrument and M26-1994 (gaku biwa) were probably varnished by the same hand, since the varnish is of the same colour. The chikuzen biwa is the most recently invented biwa. It was originally played by the aristocracy, but since the end of the 19th century it has become ubiquitous, as an instrument for the accompaniment of song. (overall length: 905 mm). Japan, mid-19th century or later. The above information was supplied by Sumi Gunji, Professor Emeritus, Kunitachi College of Music, 5-5-1 Kashiwa-cho, Tachikawa-shi, 190 Tokyo, Japan who visited the Dreadnought building on 29 November 1996."
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        {
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            "type": "original description",
            "value": "chikuzen biwa. Japan mid 19th century or later. The back of mulberry wood, the table of kiri wood (paulownia). The post supporting the tailpiece is known as the 'hidden moon'. There is usually a band of leather on the table to protect it from the plectrum. The varnish on the table is not original, the table of the instrument is almost never varnished. Both this instrument and M26-1994 (gaku biwa) were probably varnished by the same hand, since the varnish is of the same colour. The chikuzen biwa is the most recently invented biwa. It was originally played by the aristocracy, but since the end of the 19th century it has become ubiquitous, as an instrument for the accompaniment of song. Overall length: 905mm. The above information was supplied by Sumi Gunji, Professor Emeritus, Kunitachi College of Music, 5-5-1 Kashiwa-cho, Tachikawa-shi, 190 Tokyo, Japan who visited the Dreadnought building on 29 November 1996. The instrument was purchased in Sotheby's Sale of Musical Instruments, 17 November 1994, lot 121. Sotheby's catalogue description: A MOSO-BIWA (SHORT-NECKED LUTE) Japan. The pear shaped body of pronounced grain, the table of bare pine pierced by two crescent-shaped sound holes within applied ivory crescents, five wooden frets, the reflex pegbox terminating in a simple pentangular finial, four strings tuned from large fluted pegs. Length 35 5\/8 in, 90.5 cm. \u00a3500-800"
        },
        {
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                        "value": "2013-12-09",
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                "attributor": "Birley, Margaret"
            },
            "type": "commentary (online)",
            "value": "The chikuzen biwa is the most recently invented biwa.  It was originally played by the aristocracy, but since the end of the 19th century it has been widely used for the accompaniment of song."
        },
        {
            "attribution": {
                "date": [
                    {
                        "earliest": 2013,
                        "value": "2013-12-09",
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                        "primary": true
                    }
                ],
                "attributor": "Miles, Tom; Wells, Graham; Birley, Margaret"
            },
            "type": "description (online)",
            "value": "Chikuzen biwa, short-necked lute. The back of the body is of mulberry wood of pronounced grain. The table is of kiri wood (paulownia), pierced by two crescent-shaped sound holes within applied ivory crescents. There are five wooden frets, the reflex pegbox terminating in a pentangular finial. The four strings are tuned from large fluted pegs. The post supporting the tailpiece is known as the 'hidden moon'. There is usually a band of leather on the table to protect it from the plectrum. The varnish on the table is not original, as the table of the chikuzen biwa is almost never varnished."
        }
    ],
    "language": [
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        {
            "type": "catalogue title",
            "value": "321.321--6 Necked bowl lutes",
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