{
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        {
            "type": "catalogue note",
            "value": "Purchased with the assistance of the National Art Collections Fund. Made in 1934; storage location of  2 piece wooden mounts is: 2\/0\/32\/AB\/3. Mount made by Plowden & Smith is in a box at SCC 1\/1\/6\/Trolley\n\nX20L: Musical Instrument Makers in London; Early Music Revival;"
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            "value": "Crwth, bowed lyre. Square sound box, maple back, with two round sound holes on belly either side of the bridge. The left leg of the bridge meets the back of the sound box through the left sound hole. Maple tailpiece with ivory endpin at base of sound box. Supporting arch of maple above the sound box with a central fingerboard also of maple, connecting the arch to the sound box.  Ivory nut at top of fingerboard, gut frets. Metal tuning pegs at top of arch. Four fingered strings made of gut and two drones or bourdons made of metal. Simple black purfling around belly, tailpiece, fingerboard and arch.",
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        {
            "date": [
                {
                    "earliest": 1999,
                    "value": "1999-12-26",
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                    "value": "2007-11-14",
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            "attribution": {
                "date": [
                    {
                        "earliest": 1981,
                        "value": "1981",
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                        "primary": true
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                "source": "The Dolmetsch Collection of Musical Instruments"
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            "value": "I:8\nCrwth\nHaslemere 1934\nLabel: Arnold Dolmetsch \/ Haslemere \/ June 1934 No. 2\nThe body of the crwth is a shallow, rounded rectangle, constructed in the violin style with separate back and ribs of maple. The belly is of pine with two soundholes. The neck is attached at its upper end to a yoke which is supported by two arms rising from the shoulders. The four fingered strings pass over a fretted fingerboard while two bourdon strings pass to one side of it. The strings are tuned by means of piano wrestpins inserted from the back. The characteristic low, flat bridge has one extended foot which passes through the soundhole to form a sound post. The instrument is related to the lyre but shows the strong influence of the fiddle family. It was played with a bow and the low, flat bridge enabled the player to use a chordal style. The unfingered bourdon strings acted as a drone. It seems to have been used extensively in mediaeval Britain to accompany songs and recitations, its English name was Crowd. The crwth survived in Wales until the 19th century."
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            "value": "A Crwth by Arnold Dolmetsch, Haslemere 1934, labelled 'Arnold Dolmetsch Haslemere June 1934, No. 2', the back of maple cut on the slab of medium curl, the ribs plain, the arch faced with medium curl maple, the table of medium even grain with two soundholes, the left foot of bridge passing through the left hole onto the back, four strings over the finger-board and two drones, wrest pin tuning, total length 23 1\/4 ins."
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        {
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                "date": [
                    {
                        "earliest": 2008,
                        "value": "2008-03-26",
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            },
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            "value": "Crwth (bowed lyre), with a square sound box, and maple back with two round sound holes on the belly either side of the bridge. The left leg of the bridge extends to the back of the sound box through the left sound hole. There is a maple tailpiece with an ivory endpin at the base of the sound box, and a yoke of maple above the sound box with a central fingerboard also of maple. There is an ivory nut at top of fingerboard, gut frets, and wrest pins at the top of crossbar. The instrument has four fingered strings made of gut and two drones or bourdons made of metal, probably plucked with the thumb. There is simple black purfling around the belly, tailpiece, fingerboard and yoke."
        },
        {
            "attribution": {
                "date": [
                    {
                        "earliest": 2008,
                        "value": "2008-03-26",
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                        "primary": true
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                ],
                "attributor": "assistant curator; keeper",
                "source": "assistant curator; keeper"
            },
            "sort": "05",
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            "value": "A revival of an instrument that had died out in the 19th century, this crwth was probably based by Arnold Dolmetsch on an example from Voela in north Wales in the Welsh Folk Museum, Cardiff.  At the 1934 Haslemere Festival, one concert included pieces for Celtic harp, played by Mabel Dolmetsch, and crwth played by Arnold Dolmetsch himself. These pieces were based on Dolmetsch's own deciphering of the 'Bardic Penllyn manuscript', now better known as the Robert ap Huw manuscript (B. M. Addl. MS 14905)."
        },
        {
            "date": [
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                    "earliest": 2007,
                    "value": "2007-10-18",
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                    "primary": true
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            "type": "X20L description",
            "value": "Crwth, bowed lyre, made from wood, iron, steel and ivory. The Welsh crwth consists of a square body with an arched support above it and a central fingerboard. This crwth has four fingered strings and two drone strings or bourdons. The playing of this instrument died out in the 19th century, but this is a replica made by Arnold Dolmetsch. Dolmetsch performed on instruments such as this during concerts that he gave in London to introduce listeners to the music and instruments of the past. At the 1934 Haslemere Festival, one concert included pieces for Celtic harp, played by Mabel Dolmetsch, and crwth played by Dolmetsch himself. These pieces were based on Dolmetsch's own deciphering of the Bardic Penllyn manuscript."
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}