{ "instructions": [ { "date": [ { "earliest": 2011, "value": "2011-10-03", "latest": 2011, "primary": true } ], "note": "Complete", "author": "Shepherd, Rupert", "type": "CO Core Record QA" }, { "date": [ { "earliest": 2011, "value": "2011-10-03", "latest": 2011, "primary": true } ], "note": "Complete", "author": "Shepherd, Rupert", "type": "CO Extended Record 1 QA" }, { "date": [ { "earliest": 2011, "value": "2011-10-03", "latest": 2011, "primary": true } ], "note": "Extended Record 1", "author": "Shepherd, Rupert", "type": "CO" } ], "note": [ { "type": "catalogue note", "value": "Made at the suggestion of William Morris for the Arts and Crafts Exhibition Society show in the New Gallery in 1896. The exterior decoration could not be completed in time for the exhibition and the temporary expedient of plain green lacquer was not replaced. Strictly speaking, the instrument may not be a harpsichord because each string is sounded by a small pad of leather which is pushed up against the string, displacing it. The pusher escapes from underneath the leather pad, and the pad suddenly releases the string causing it to vibrate. This action corresponds with Dolmetsch's 'New Action', patented in 1928-29 and is thought to have been installed by Dolmetsch himself when the instrument was returned to him by Gerald Cooper at that period. The decoration is largely by Helen Coombe and background about the decoration can be found in the book 'The Artist Helen Coombe (1864-1937) The Tragedy of Roger Fry's Wife' by Martin Ferguson Smith, London, 2023. This harpsichord is discussed in Chapter 6: Courtship, Fritillaries, and the Green Harpsichord. And also elsewhere.\n\nThe instrument belonged to Arnold Dolmetsch until he was forced, by declaration of bankruptcy, to sell it at auction on 29 October 1901 (Puttick & Simpson). It was bought for \u00a389 by James Tregaskis, a noted antiquarian bookseller and publisher with known interests in music. Tregaskis may have kept it for himself or acquired it for a client." } ], "loan": { "value": "N" }, "projects": [ "CollectionsOnline01", "EXPORT 4TH (2000-12-15)", "MINIM-UK" ], "admin": { "processed": 1740592931150, "sequence": 7666689, "uid": "hmc-object-13483", "added": 1663962033531, "stream": "collections-online", "id": "object-13483", "source": "hmc", "uuid": "c7441889-40a5-3771-a4e0-cc171e55eb7f" }, "description": [ { "type": "catalogue description", "value": "Harpsichord, single manual. The compass of the keyboard is from GG to f3 chromatic; the keyboard has arcaded ebony naturals and reversed skunk tail accidentals. two 8-foots and a buff stop. Four pedals operating from left to right, damper lifting, the front 8-foot, the back 8-foot, the buff stop (to engage the back 8-foot (longer 8-foot).The facia board and cheeks are painted in bronze red on a gilt ground with maidens seated in a garden, some playing musical instruments. The exterior of the case is painted green, its lid with brass strap hinges. The interior of the lid is painted with a circular panel featuring a boy playing the bagpipes to a maiden beside a stream; floral border. Inscription reads: In honorem. illius. omnium. musicorum praecellenissimorum principis Sebastiani Bach. The lid flap is similarly decorated with a circular plaque painted with the god Pan playing the aulos and inscription: Me fecit AD Exornavit HC Londini MDCCXCVI. The soundboard is in two halves intersected by the jacks: the upper section has a rose pierced and carved with the maker's initials, AD; the lower section with similar rose painted with flowers and scrolling ribbons and the text and music of King Henry VIII's song 'Without Dischord'. Inscription on nameboard: Arnold Dolmetsch London fecit \/ MDCCCXCVI No. 1. \/ Me fecit A.D. Exornavit H.C. Londini \/ MDCCCXCVI .", "primary": true }, { "attribution": { "date": [ { "earliest": 2016, "value": "2016-09-09", "latest": 2016, "primary": true } ], "attributor": "Waitzman, Mimi" }, "sort": "01", "type": "description (online)", "value": "The so-called 'Green Harpsichord'. Single manual, formerly transposing both up and down by a semitone, now fixed. The compass of the keyboard is G1-F6, one tone short of five octaves (GG-f3); Now two 8-foot sets of strings and buff stop, formerly one set of 8-foot strings and buff stop. Possesses Arnold Dolmetsch's 'new action' (patented 1928) in which the strings are not plucked but displaced from below and released. Four pedals from left to right: 1.raise dampers, 2.engage front 8-foot, 3.engage back 8-foot, 4.buff to back 8-foot. Three gilt roses, all of the same design with the initials AD worked into a more ornate surround. The exterior of the case is painted green, its lid with brass strap hinges. The keyboard has arcaded ebony naturals and reversed skunk tail accidentals. The facia board and cheeks are painted in bronze red on a gilt ground with maidens seated in a garden, some playing musical instruments. The interior of the lid is painted with a circular panel featuring a boy playing the bagpipes to a maiden beside a stream, and a floral border. The inscription reads: 'In honorem. illius. omnium. musicorum praecellenissimorum principis Sebastiani Bach'. The lid flap is similarly decorated with a circular plaque painted with the god Pan playing the aulos, and an inscription: 'Me fecit AD Exornavit HC Londini MDCCXCVI'. The soundboard is in two parts divided by the action gap. The section nearer the player has two gilded roses pierced and carved with the maker's initials, AD. The other section is decorated with a similar rose, painted with flowers and scrolling ribbons, and the text and music of King Henry VIII's song 'Without Dischord'. The inscription on the nameboard reads: 'Arnold Dolmetsch London fecit \/ MDCCCXCVI No. 1. \/ Me fecit A.D. Exornavit H.C. Londini \/ MDCCCXCVI'." }, { "date": [ { "earliest": 1999, "value": "1999-12-26", "latest": 1999, "primary": true } ], "attribution": { "attributor": "curator" }, "historical": true, "sort": "01", "type": "description", "value": "harpsichord" }, { "date": [ { "earliest": 1999, "value": "1999-02-14", "latest": 1999, "primary": true } ], "attribution": { "attributor": "curator" }, "historical": true, "sort": "02", "source": "Horniman Museum. Conservation Section", "type": "description", "value": "HARPSICORD (GREEN)" }, { "attribution": { "attributor": "curator" }, "historical": true, "sort": "03", "type": "description", "value": "Harpsichord, single manual. The compass of the keyboard is from GG to f3; the keyboard has arcaded ebony naturals and reversed skunk tail accidentals. 8' and buff stops. Four pedals.The facia board and cheeks are painted in bronze red on a gilt ground with maidens seated in a garden, some playing musical instruments. The exterior of the case is painted green, its lid with brass strap hinges. The interior of the lid is painted with a circular panel featuring a boy playing the bagpipes to a maiden beside a stream; with a floral border. Inscription reads: In honorem. illius. omnium. musicorum praecellenissimorum principis Sebastiani Bach. The lid flap is similarly decorated with a circular plaque painted with the god Pan playing the aulos and inscription: Me fecit AD Exornavit HC Londini MDCCXCVI. The soundboard is in two halves intersected by the jacks: the upper section has a rose pierced and carved with the maker's initials, AD; the lower section with similar rose painted with flowers and scrolling ribbons and the text and music of King Henry VIII's song, Without Dischord. Inscription on nameboard: Arnold Dolmetsch London fecit \/ MDCCCXCVI No. 1. \/ Me fecit A.D. Exornavit H.C. Londini \/ MDCCCXCVI ." }, { "attribution": { "attributor": "curator" }, "sort": "04", "type": "description", "value": "The green harpsichord was made at the suggestion of William Morris for the Arts and Crafts Exhibition Society show in the New Gallery, London, in 1896. The painted decoration is by Helen Coombe (later Mrs Roger Fry). The lettering is by Selwyn Image. The decoration above the keys was designed by Herbert Horne." }, { "date": [ { "earliest": 2007, "value": "2007-12-03", "latest": 2007, "primary": true } ], "attribution": { "attributor": "assistant curator", "source": "assistant curator" }, "sort": "05", "type": "revised description", "value": "The green harpsichord. A single manual harpsichord by Arnold Dolmetsch, London 1896. Inscribed on the nameboard: 'Arnold Dolmetsch London fecit \/ MDCCCXCVI No. 1. \/ Me fecit A.D. Exornavit H.C. Londini \/ MDCCCXCVI .' Compass GG-f3; the keyboard has arcaded ebony naturals and reversed skunk tail accidentals, four pedals controlling the 8' and buff stops; four pedals.\nThis instrument was made at the suggestion of William Morris for the Arts and Crafts Exhibition Society show in the New Gallery in 1896. Painted decoration by Helen Coombe (later Mrs Roger Fry); lettering by Herbert Horne and Selwyn Image [?]; decoration above the keys designed by Herbert Horne. The exterior decoration could not be completed in time for the [1896?] exhibition and the temporary expedient of plain green lacquer was not replaced.\nThe facia board and cheeks are painted in bronze red on a gilt ground with maidens seated in a garden, some playing musical instruments. The exterior of the case is painted green, its lid with brass strap hinges. The interior of the lid is painted with a circular panel featuring a boy playing the bagpipes to a maiden beside a stream; with a floral border and inscribed 'In honorem. illius. omnium. musicorum praecellenissimorum principis Sebastiani Bach'. The lid flap is similarly decorated with a circular plaque painted with the god Pan playing the aulis and inscribed 'Me fecit AD Exornavit HC Londini MDCCXCVI.'\nThe soundboard is in two halves intersected by the jacks: the upper part has a rose pierced and carved with the maker's initials, 'AD', the lower part has a similar rose painted with flowers and scrolling ribbons and the text and music of King Henry VIII's song 'Without Dischord'." }, { "date": [ { "earliest": 2007, "value": "2007-11-14", "latest": 2007, "primary": true } ], "attribution": { "date": [ { "earliest": 1981, "value": "1981", "latest": 1981, "primary": true } ], "attributor": "curator", "source": "The Dolmetsch Collection of Musical Instruments" }, "sort": "06", "type": "catalogue description", "value": "I:1 [A]\nThe green harpsichord\nLondon 1896\nInscribed: Arnold Dolmetsch London fecit \/ MDCCCXCVI No. 1. \/ Me fecit A.D. Exornavit H.C. Londini \/ MDCCCXCVI\nSingle manual harpsichord\nCompass GG-f3\nFour pedals\nMade at the suggestion of William Morris for the Arts and Crafts Exhibition Society show in the New Gallery in 1896. Painted decoration by Helen Coombe (later Mrs Roger Fry). Lettering by Selwyn Image. Decoration above the keys designed by Herbert Home. The exterior decoration could not be completed in time for the exhibition and the temporary expedient of plain green lacquer was not replaced." }, { "date": [ { "earliest": 2007, "value": "2007-11-27", "latest": 2007, "primary": true } ], "attribution": { "attributor": "curator", "source": "Sotheby's valuation" }, "sort": "07", "type": "valuation description", "value": "A single manual harpsichord by Arnold Dolmetsch, London 1896, inscribed on the nameboard 'Arnold Dolmetsch London fecit MDCCCXCVI, No. 1', the facia board and cheeks painted in bronze red on a gilt ground with maidens seated in a garden some playing musical instruments, the exterior of the case painted green, the lid with brass strap hinges, the interior of the latter painted with a circular panel with a boy playing the bagpipes to a maiden beside a stream; with a floral border and inscribed 'In honorem. illius. omnium. musicorum praecellenissimorum principis Sebastiani Bach', the lid flap similarly decorated with a circular plaque painted with the god Pan playing the aulis and inscribed 'Me fecit AD Exornavit HC Londini MDCCXCVI', the soundboard in two halves intersected by the jacks, the upper part with a rose pierced and carved with the maker's initials AD, the lower part with one similar rose painted with flowers and scrolling ribbons and the text and music of King Henry VIII's song 'Without Dischord', the five octave keyboard, GG-f3, with arcaded ebony naturals and reversed skunk tail accidentals, four pedals controlling the 8' and buff stops." }, { "attribution": { "date": [ { "earliest": 2007, "value": "2007-12-20", "latest": 2007, "primary": true } ], "attributor": "assistant curator", "source": "assistant curator" }, "historical": true, "sort": "08", "type": "description (online)", "value": "The Green Harpsichord. Single manual. The compass of the keyboard is from G1-F6 (GG to f3); the keyboard has arcaded ebony naturals and reversed skunk tail accidentals. Two 8-foots and buff stop. Four pedals.The facia board and cheeks are painted in bronze red on a gilt ground with maidens seated in a garden, some playing musical instruments. The exterior of the case is painted green, its lid with brass strap hinges. The interior of the lid is painted with a circular panel featuring a boy playing the bagpipes to a maiden beside a stream, and a floral border. The inscription reads: 'In honorem. illius. omnium. musicorum praecellenissimorum principis Sebastiani Bach'. The lid flap is similarly decorated with a circular plaque painted with the god Pan playing the aulos, and an inscription: 'Me fecit AD Exornavit HC Londini MDCCXCVI'. The soundboard is in two parts divided by the action gap. The section nearer the player has two roses pierced and carved with the maker's initials, AD. The other section is decorated with a similar rose, painted with flowers and scrolling ribbons, and the text and music of King Henry VIII's song 'Without Dischord'. The inscription on the nameboard reads: 'Arnold Dolmetsch London fecit \/ MDCCCXCVI No. 1. \/ Me fecit A.D. Exornavit H.C. Londini \/ MDCCCXCVI'." }, { "attribution": { "date": [ { "earliest": 2007, "value": "2007-12-20", "latest": 2007, "primary": true } ], "attributor": "assistant curator", "source": "assistant curator" }, "historical": true, "sort": "09", "type": "commentary (online)", "value": "The Arts and Crafts movement was a counter movement to the Industrial Revolution. It rebelled against the shoddy products and ideology of mass production, including the poor working conditions imposed upon makers of factory produced goods. Arnold Dolmetsch's passion for craftsmanship and the music of the past resonated with the movement. He made this, his first harpsichord, at the suggestion of William Morris, a close personal friend. It was exhibited at the 1896 Arts and Crafts Exhibition, in the New Gallery, Regent Street. Morris never lived to see the exhibition. The decoration is by primarily by Helen Coombe assisted by Selwyn Image and Herbert Horne. The exterior decoration could not be completed for the exhibition and instead it was painted green. This was never replaced and the harpsichord was nicknamed 'The Green Harpsichord'." }, { "date": [ { "earliest": 2007, "value": "2007-10-16", "latest": 2007, "primary": true } ], "attribution": { "attributor": "curator" }, "sort": "110", "type": "X20L description", "value": "The Arts and Crafts movement, a counter movement to the industrial revolution that aimed to combine beauty with purpose, was at its peak at the turn of the twentieth century. Arnold Dolmetsch's passion for craftsmanship and the music of the past resonated with the movement. He made this harpsichord at the suggestion of William Morris. It was exhibited at the 1896 Arts and Crafts Exhibition, in the New Gallery, Regent Street. Morris never lived to see the exhibition. The harpsichord was decorated by Helen Coombe, Selwyn Image and Herbert Horne. The exterior decoration could not be completed for the exhibition and instead the harpsichord was painted green. This was never replaced and the harpsichord was nicknamed \"The Green Harpsichord\"." }, { "attribution": { "date": [ { "earliest": 2016, "value": "2016-05-10", "latest": 2016, "primary": true } ], "attributor": "Waitzman, Mimi" }, "type": "commentary (online)", "value": "The Arts and Crafts movement was a counter movement to the Industrial Revolution. It rebelled against the shoddy products and ideology of mass production, including the poor working conditions imposed upon makers of factory produced goods. Arnold Dolmetsch's passion for craftsmanship and the music of the past resonated with the movement. He made this, his first harpsichord, possibly at the suggestion of William Morris, a close personal friend. It was exhibited at the Arts and Crafts Exhibition, in the New Gallery, Regent Street in October, 1896. Morris never lived to see the exhibition. The decoration is primarily by Helen Coombe assisted by Selwyn Image and Herbert Horne. The exterior decoration could not be completed for the exhibition so as a stopgap it was painted green. This was never replaced and the harpsichord was nicknamed 'The Green Harpsichord'.\n\nThe harpsichord was made with only one set of 8-foot strings and a buff stop, but was significantly altered by Arnold Dolmetsch himself, in the late 1920s or early 30s and it now possesses two 8-foot sets of strings together with the buff stop. In its original condition, the instrument had two pedals and two knee levers. One of the knee levers operated a crescendo effect and the other, probably the buff stop. The pedals may have duplicated the functions of the knee levers. Another possibility is that the instrument had dampers that could be lifted independently (a feature commonly found on modern pianos) and that one of the pedals controlled this feature.\n\nThe action of the harpsichord was completely changed during Arnold's intervention. In place of a more traditional harpsichord jack action with plectra being forced past the string to create the sound, he installed his patented 'New Action'. The 'new action' had no plectra or jacks. Instead, on each note, a leather pad mounted on a flexible stem was pushed up again the string, displacing it. The pusher escaped from underneath the leather pad which then abruptly let go of the string causing it to vibrate. No conventional 'pluck' of the string took place. Dolmetsch's new action was patented in 1928-29, and two more polished examples of the action exist in instruments dated 1930 (a spinet) and 1933 (a two manual harpsichord), both at Haslemere (2016). It is conceivable that the Green Harpsichord was the first instrument into which Arnold installed his new patent action.\n\nIn addition to adding a second set of strings, the control mechanism for the stops was changed by Dolmetsch to the present four pedals and he also removed the bottom of the instrument." } ], "language": [ "eng" ], "title": [ { "type": "catalogue title", "value": "314.122 True board zithers with resonator box (box zither)", "primary": true }, { "attribution": { "date": [ { "earliest": 2012, "value": "2012-03-27", "latest": 2012, "primary": true } ], "attributor": "Waitzman, Mimi" }, "sort": "01", "type": "classified as", "value": "314.122-6-8" }, { "@reference": { "@link": { "role": [ { "value": "classified as" } ], "attribution": { "date": [ { "earliest": 2012, "value": "2012-03-27", "latest": 2012, "primary": true } ], "attributor": "Waitzman, Mimi" }, "type": "reference", "variation": 0 }, "summary_title": "314.122-6-8 True board zithers with resonator box (box zithers) sounded by plectrum, with keyboard", "admin": { "uid": "hmc-term-1018533", "id": "term-1018533", "uuid": "dff1c879-79f7-352d-a7f6-0e5672b6f814" }, "sort": "02" }, "type": "classified as" } ], "type": { "sub_type": [ "general" ], "scope": "TOP", "base": "object" }, "arrangement": { "other_finding_aids": "HMG - North Greenwich; Study Collections Centre; 2\/0; bay27; shD; Box20120" }, "lifecycle": { "creation": [ { "date": [ { "century": [ "19th" ], "role": [ { "value": "date made" } ], "attribution": { "attributor": "curator" }, "sort": "01", "earliest": 1896, "value": "1896", "latest": 1896 }, { "source": "catalogue", "earliest": 1896, "value": "1896", "latest": 1896 } ], "places": [ { "@link": { "role": [ { "value": "made" } ], "attribution": { "attributor": "curator" }, "type": "reference" }, "summary_title": "London", "admin": { "uid": "hmc-place-1055", "id": "place-1055", "uuid": "f89ab80f-a160-3e41-a421-b5d2c04797a5" }, "sort": "01" }, { "@link": { "source": "catalogue", "type": "literal" }, "summary_title": "London, England, UK, Western Europe; Europe", "name": [ { "value": "London, England, UK, Western Europe; Europe" } ] } ], "maker": [ { "@link": { "role": [ { "value": "maker" } ], "attribution": { "attributor": "curator" }, "type": "reference" }, "summary_title": "Dolmetsch", "admin": { "uid": "hmc-agent-3067", "id": "agent-3067", "uuid": "db77302e-6cb0-3859-95d1-b1b5bb09198c" }, "historical": true, "sort": "01" }, { "@link": { "role": [ { "value": "maker" } ], "attribution": { "attributor": "curator" }, "type": "reference" }, "summary_title": "Dolmetsch, Eug\u00e8ne Arnold", "admin": { "uid": "hmc-agent-5148", "id": "agent-5148", "uuid": "e8e028a0-bde1-3f55-b71d-85212f3577a2" }, "historical": true, "sort": "02" }, { "@link": { "source": "catalogue", "type": "literal" }, "summary_title": "Dolmetsch, (Eug\u00e8ne) Arnold", "name": [ { "value": "Dolmetsch, (Eug\u00e8ne) Arnold" } ] }, { "@link": { "role": [ { "value": "maker" } ], "attribution": { "date": [ { "earliest": 2016, "value": "2016-09-28", "latest": 2016, "primary": true } ], "attributor": "Waitzman, Mimi" }, "type": "reference" }, "summary_title": "Dolmetsch, Eug\u00e8ne Arnold", "admin": { "uid": "hmc-agent-5148", "id": "agent-5148", "uuid": "e8e028a0-bde1-3f55-b71d-85212f3577a2" } } ] } ] }, "physicalDescriptors": [ { "note": "Collections Conservation And Care Section.", "component": "overall", "terms": "wood", "descriptor": "material", "@reference": { "@link": { "role": [ { "value": "material" } ], "type": "reference" }, "summary_title": "wood", "admin": { "uid": "hmc-term-1015488", "id": "term-1015488", "uuid": "9374e5ef-ab0b-3b66-84bd-3f9728ed1f9a" }, "sort": 1 }, "type": "material" }, { "note": "Collections Conservation And Care Section.", "component": "overall", "terms": "paint", "descriptor": "material", "@reference": { "@link": { "role": [ { "value": "material" } ], "type": "reference" }, "summary_title": "paint", "admin": { "uid": "hmc-term-1016448", "id": "term-1016448", "uuid": "4896bfb4-2d4b-3d84-a579-4ddc8e8fa2e9" }, "sort": 2 }, "type": "material" }, { "note": "Collections Conservation And Care Section.", "component": "overall", "terms": "metal", "descriptor": "material", "@reference": { "@link": { "role": [ { "value": "material" } ], "type": "reference" }, "summary_title": "metal", "admin": { "uid": "hmc-term-1016352", "id": "term-1016352", "uuid": "59c8d44f-8aee-3cca-8cec-d1e1665e557f" }, "sort": 3 }, "type": "material" } ], "terms": [ { "@link": { "role": [ { "value": "object name" } ], "attribution": { "attributor": "curator" }, "type": "reference" }, "summary_title": "harpsichords", "admin": { "uid": "hmc-term-1017192", "id": "term-1017192", "uuid": "416a91e7-c5d1-3bae-bf50-cbe060ebfb91" }, "sort": "01" }, { "@link": { "role": [ { "value": "classified as" } ], "attribution": { "date": [ { "earliest": 2012, "value": "2012-03-27", "latest": 2012, "primary": true } ], "attributor": "Waitzman, Mimi" }, "type": "reference" }, "summary_title": "314.122-6-8 True board zithers with resonator box (box zithers) sounded by plectrum, with keyboard", "admin": { "uid": "hmc-term-1018533", "id": "term-1018533", "uuid": "dff1c879-79f7-352d-a7f6-0e5672b6f814" }, "sort": "02" }, { "@link": { "role": [ { "value": "material" } ], "attribution": { "attributor": "Collections Conservation And Care Section" }, "type": "reference" }, "summary_title": "metal", "admin": { "uid": "hmc-term-1016352", "id": "term-1016352", "uuid": "59c8d44f-8aee-3cca-8cec-d1e1665e557f" }, "sort": "03" }, { "@link": { "role": [ { "value": "material" } ], "attribution": { "attributor": "Collections Conservation And Care Section" }, "type": "reference" }, "summary_title": "paint", "admin": { "uid": "hmc-term-1016448", "id": "term-1016448", "uuid": "4896bfb4-2d4b-3d84-a579-4ddc8e8fa2e9" }, "sort": "04" }, { "@link": { "role": [ { "value": "material" } ], "attribution": { "attributor": "Collections Conservation And Care Section" }, "type": "reference" }, "summary_title": "wood", "admin": { "uid": "hmc-term-1015488", "id": "term-1015488", "uuid": "9374e5ef-ab0b-3b66-84bd-3f9728ed1f9a" }, "sort": "05" }, { "@link": { "role": [ { "value": "object name" } ], "attribution": { "date": [ { "earliest": 2016, "value": "2016-07-19", "latest": 2016, "primary": true } ], "attributor": "Dixon, Gavin" }, "type": "reference" }, "summary_title": "harpsichords", "admin": { "uid": "hmc-term-1017192", "id": "term-1017192", "uuid": "416a91e7-c5d1-3bae-bf50-cbe060ebfb91" } } ], "summary_title": "harpsichord", "legal": { "status": "permanent collection" }, "options": { "item_count": "1", "option7": "Dolmetsch Collection", "option5": "Chordophone", "flag4": "N", "flag3": "N", "system_count": "1", "flag2": "N", "option4": "EXPORT 4TH (2000-12-15); CollectionsOnline01; MINIM-UK", "flag1": "N", "number1": "1" }, "appraisal": [ { "source": "catalogue", "@entity": "lifecycle" } ], "inscription": [ { "note": [ { "value": "The font is one devised and used by Dolmetsch especially in his earlier keyboard instruments." } ], "method": "Materials Thesaurus\/\/processed material\/paint\/", "description": [ { "value": "All in upper case letters, each word separated from the next with a diamond shaped star, except for the number I which appears in a separate scroll device." } ], "details": [ { "transcription": "Arnold Dolmetsch, Londini Fecit MDCCCXCVI No.1", "translation": [ { "value": "Made by Arnold Dolmetsch 1896 No.1" } ] } ], "language": [ "Latin" ], "location": "name batten over the keys", "sort": "01", "type": "inscription; maker's name" }, { "note": [ { "value": "This is an important incription since it specifically mentions Helen Coombe but none of the other Arts & Crafts artists generally associated with the work on this instrument." } ], "method": "graphite", "inscriber": "W. Nearn?", "description": [ { "value": "Handwritten, but possibly not in Dolmetsch's hand." } ], "details": [ { "transcription": "Made at 6 Keppel St., Bloomsbury London 1896 by Arnold Dolmetsch and W. Nearn. The paintings by Helen Coombe." } ], "language": [ "English" ], "location": "On the underside of the soundboard.", "sort": "02", "type": "inscription; signature" }, { "note": [ { "value": "Although in plain sight, a heretofore unrecorded signature." } ], "method": "ink", "inscriber": "Helen Coombe", "description": [ { "value": "Handwritten in upper and lower case print." } ], "details": [ { "transcription": "Helen Coombe. 1896." } ], "location": "On one of the painted ribbons on the soundboard near the bass curve of the bridge.", "sort": "03", "type": "inscription; signature" }, { "method": "paint", "description": [ { "value": "Handwritten in upper and lower case print." } ], "details": [ { "transcription": "Helen Coombe." } ], "location": "Behind the nameboard.", "sort": "04", "type": "inscription; signature" } ], "categories": [ { "type": "category1", "value": "Musical Instruments" } ], "measurements": { "note": [ { "value": "Height with stand: 91cm. 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