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Taxidermy Treatments

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Some of our taxidermy specimens have been getting some special treatment ahead of our upcoming Amazon Adventure exhibition.

Charlotte, our conservator, has been working with our Scarlet Macaw and Toucan specimens, to get them looking their best.

Even when objects have already been on display in the main galleries, moving them gives our Conservation team the perfect chance to check them over. Our Macaw and Toucan needed a bit of a spring clean and a few repairs before they were ready for their next public appearance.

These two beautiful birds are now preened, prepared and ready for their reappearance in our latest temporary exhibition.

Charlotte's also written some Conservation Case Studies, so you can find out more about how the Scarlet Macaw and Toucan were treated (and when it's appropriate to give a Macaw a blowdry).

Training Week at our Study Collections Centre

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Before embarking on Phase 2 of the Collections People Stories project, over 20 Horniman staff members took part in a week long training programme at our Study Collections Centre.

For some participants this week presented a whole new set of skills and for others it was a helpful refresher.

Each morning we began with a dose of data management, with training on our collections database, called MIMSY.

It may seem easy to describe an object, but each object has so many elements to it, all which need to be documented thoroughly:. where it is from; what it is made of; who collected it; whether or not it has been conserved or indeed if it could be hazardous to your health!

The training week was also packed full of hands on training, skills that will be applied by our teams throughout the Collections Review.

We were shown how to pack the ideal box - who would have known that there are 4 legitimate ways to scrunch up that perfect paper wodge?

We also learned how to pack flat art for transport and storage and how to make our own Corex boxes for oversized objects.

Our Conservation staff held a session on textiles outlining the special care that needs to be taken when packing and storing costumes.

At other times during the week, we learnt how to accurately mark and measure objects. Physically marking stored collections is essential so objects can be tracked if they were to lose their attached labels. Accurate measurements are of course a must when planning for museum displays.

Although all Horniman staff pride themselves in always being on high alert for insects in the cases and cabinets around the museum, conservation staff gave us a Pest Control Refresher to keep us one step ahead of the critters.

One of the most exciting aspects of this project is that we will be taking photographs of every reviewed object. Our museum photographer did a sterling job in setting up the cameras and tents so that we can take excellent photographs. We learned simple tricks to improve the light, focus and texture when taking pictures of museum objects.

On the last of day of training our packing skills were put to the ultimate test in the all-important Egg Tossing Challenge. Eggs packed in a variety of materials found themselves being hurled with force through the stairwells. If the egg didn’t break, it was packed well!

I am happy to announce that only 2 out of 15 eggs did not survive the journey! 

Pest Day

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Nobody wants pests in their homes, but museums more than anywhere have reason to keep insects and rodents at bay.

Last week, a dozen Horniman staff took part in a Pest Awareness Day, led by our Conservation Department and pest control expert David Pinniger.
 
We spent the day learning about insects, learning how to identify which insect is which. There are more than 20,000 species of insect in Britain - although only about a dozen species can pose a threat to museum collections.
 
 
We also saw the damage that pests can cause, and learnt how to identify and deal with them when they do occur. Most of all, pests love food! So this is why we can't allow eating and drinking in our galleries.
 
 
The day culminated in a quiz and scavenger hunt, so we could put what we learnt into practice.
 
 
 
 
 
 
 

Getting under the skin of the mysterious Merman

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If you have visited the Centenary Gallery over the past few months, you may have noticed that our Merman took up residence in a special display.

Our Collections Conservation & Care team are regularly asked what the Merman is made from, but answering that question is difficult without taking the specimen apart to investigate. We recently had the chance to find out what the Merman was actually made of - closely examining it using photography, microscopy, magnifying equipment, X-radiography and CT scans.
 
The Merman, which is now back in its usual display, looks like it has the head of a monkey and the body of a fish. But is that the case? 
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